LATEST ADDITIONS

This all-Infigo-meets-Alta room was bathed in Infigo Audio’s Hans Looman’s usual blue light glow, showering the room with the same mystical vibrations I heard from this room at some CAF long since past.

I remember the first PS Audio product: a simple phono stage. It was so simple—a passive RIAA EQ filter flanked by a pair of primitive op-amps—that when the schematic was made public, I built one myself; I was in the midst of my DIY years. I thought it was, to use a word from that time, nifty. Paul McGowan went on to other things and other companies, eventually reviving PS Audio and building it into its present form with a wide range of interesting and substantive products. Most recently, PS Audio added a line of loudspeakers inspired by Paul's erstwhile partner in other ventures, the late Arnie Nudell.

The PS Audio Aspen speaker line has four models, three 3-way floorstanders (FR30, FR20, FR10) and a single two-way standmount (the FR5, $3499/pair).

Harmonia Distribution brought a respectable system to CAF, including a Grimm Audio MU2 Media Player Streamer Preamplifier ($17,500), PrimaLuna EVO 400 Tube Preamplifier ($4995), and a product I raved about at Stereophile and continue to use, the PrimaLuna EVO 300 Hybrid Power Amplifier ($7195).

The least surprising story in music today is the inevitable passing of irreplaceable talent. Tenor saxophonist Benny Golson died at age 95 the day I finished this salute to another fallen star, Southern California singer/songwriter John David "JD" Souther.

Bose Corporation announced today the acquisition of McIntosh Group, the parent company of high-end audio brands McIntosh and Sonus faber. The move aims to broaden Bose's offerings into the high-performance and luxury audio markets.

Adrian Ford-Crush manned the Audio Note (UK) room solo at CAF, though whispers circulated about the brand’s major domo Peter Qvortrup lurking in the crowd. Surprisingly, the usual Audio Note techno and classical blasts were replaced by soothing folk and jazz, a balm for weary show-goers.

Traditionally in hi-fi, "distribution" refers to importing and warehousing audio equipment then delivering it as needed to a network of domestic dealers. In recent years, that model has evolved. Distributors have expanded the range of services they offer, and an increasing number of companies are skipping the distributor step altogether: dCS and T+A, among other companies, have established wholly owned subsidiaries in the US to handle importation, local warehousing, and other domestic duties. They and others have hired full-service sales and marketing agents, sometimes called "brand ambassadors." The goal, of course, is to make the practice of getting a product into the country and on the radar of dealers and customers as efficient and effective as possible.