There's a whorish aspect to reviewing that some readers and industry critics never tire of mentioning, as if they've stumbled onto some great revelation: that we writers seem to flit from new product to new product, sometimes gushing like cracked fire hydrants over one amplifier one month, only to gush over another amp the following month.
If you search for "DVD-A" on this <A HREF="http://www.stereophile.com">website</A>, you can get the whole confusing story of the format, which has been the subject of one of the strangest format launches of recent years: First it's on, then it's off. The watermark is audible. No, it's not. Oops, it <I>is</I>—back to square one. There's software, there's no software. (There's <I>not</I>—only one demo disc officially available in September 2000, when I wrote this review!)
New music, or a fresh interpretation of an old classic, is what keeps a music lover's life interesting. What three releases have been in heavy rotation for you recently?
Describing the <A HREF="http://www.stereophile.com//amplificationreviews/288/">Audio Research Reference Two preamplifier</A>, Michael Fremer writes "Audio Research's first 21st-century, audiophile-quality line-stage preamplifier combines retro-tech vacuum-tube amplification and power-supply circuitry with innovative, remote-controlled gain, balance, tape monitoring, and signal routing. The price is also 21st-century: $9995." Worth every penny? Fremer offers his assessment.
Flexibility is the name of the game as <A HREF="http://www.thetadigital.com/">Theta Digital</A> plays it. The innovative Agoura Hills, CA company has announced the Casablanca II, a modular upgradable preamp/processor for music and cinema applications, as well as two-channel modules for its Dreadnaught power amplifier.
When audiophiles speak of "imaging," they may not be using the term metaphorically. Recent research at the University of California at San Diego's School of Medicine indicates that hearing and vision are more closely related than had been previously thought.
Audiophiles are just warming up to the debate on how (or why) they should set up multi-channel audio in the home (see <A HREF="http://www.stereophile.com/news/10849/">previous story</A>). But perhaps the listening room will ultimately take a back seat to a more obvious choice for a multi-channel environment: the automobile. Several multi-channel products are being announced for the autosound market, including a new Fujitsu DVD player with 5.1 audio.
Last week's Comdex convention in Las Vegas showcased more examples of convergence between the consumer electronics and computer industries, especially in the areas of portable devices, home theater, and <A HREF="http://www.stereophile.com/news/10893/">digital audio</A>. DVD-Audio also received notice at the show, as chip developer <A HREF="http://www.zoran.com/">Zoran Corporation</A> announced the Vaddis V, its latest DVD multimedia processor, slated for mass production in spring 2001.
Not too long ago, the word "convergence" had everyone in the High End ready to duck'n'cover. Asia was on the ropes, and a shakeout was thinning the ranks of high-end audio manufacturers. Some US companies were marketing and selling most of their output to the Pacific Rim. The writing was on the wall: High-end was dead, and we'd all just better get used to listening to music on our computers.