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These days, an increasing number of new automobiles are emphasing a custom audio system as a selling feature

Meeting Englishman Tim de Paravicini for the first time, you start to wonder if your mind has slipped a gear, whether premature brain fade has cut in. The conversation seems not only to be racing by unexpectedly quickly, but also subjects you hadn't even realized <I>were</I> subjects are being examined in knowledgeable depth. It was at the end of the 1970s that I bumped into Tim at a trade show in the UK; having wanted to ask his opinion of tube-amp design, knowing that the gangling, wispy-bearded, Nigeria-born, one-time resident of South Africa and Japan, ex-Lux engineer (footnote 1) had cast a magic wand over the Michaelson & Austin product line, I found myself instead being treated to an exposition of color phosphor problems in TV monitors. For Tim is a true polymath, his mind seemingly capable of running at high speed along several sets of tracks simultaneously.

The story of New Acoustic Dimensions, aka NAD, begins in the late 1970s. The company was founded as a dealer distribution collective to design and market reasonably priced serious high-end gear to cost-constrained audiophiles. By eliminating needless features and focusing manufacturing in low-cost production facilities, NAD has successfully delivered audiophile-quality gear for 20 years at prices little more expensive than mass-market department-store schlock.

We were startled to receive an email announcement recently informing us that Scot Markwell, long-time set-up and equipment maven for <I>The Abso!ute Sound</I>'s erstwhile editor Harry Pearson, had joined the staff at <A HREF="http://www.themusic.com">www.themusic.com</A&gt; to manage its Gear Shop division.

The Home Entertainment 2004 Show (HE2004) is coming to NYC May 20&ndash;23, 2004 at the Hilton New York Hotel & Towers. HE2004 is open to the public&mdash;consumers will not only have the opportunity to see, hear, and demo the finest high-performance products consumer electronics has to offer, they can also attend a dozen free educational seminars on a variety of topics and enjoy live music daily from jazz and blues artists during relaxing breaks for lunch. The educational seminars and music luncheons will be offered all three days of the Show. Seminars will be moderated by some of the consumer electronics industry's most respected editors, manufacturers, and custom-installation professionals.

"Clean Slate" ends: As of early April, the US music industry no longer offers amnesty to confessed downloaders. Begun in September by the Recording Industry Association of America (RIAA), the "Clean Slate" program's intent was to discourage music fans from continuing to gather freebies online by promising exemption from copyright infringement lawsuits if they signed statements that they had removed shared music files from their computers. More than 1100 music fans signed, but Eric Parke of Novato, CA sought an injunction against the program on the grounds that it was a "fraudulent business practice." The RIAA responded by halting the amnesty effort and asked the judge in the case to dismiss Parke's lawsuit. Trade group officials promised to uphold their part of the bargain for those who signed.

Audiophiles are faced with a sonic and musical quandary: Are we looking for an absolutely faithful reproduction of a recorded work, regardless of its inherent defects, or are we willing to tune our component choices and room to euphonize everything across the board&mdash;at the expense of over-glossing the better titles in our collection?