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"What did you think of the Sonus Faber/Ayre system?" I always feel like I'm being put on the spot when being asked this kind of question, and I usually say something vaguely positive but noncommittal. "Um, it sounded nice." I had listened to that system only briefly at that point, and had just a general favorable impression. I went back later, listened some more, and came to the conclusion that this was one of the most natural-sounding systems at the show. Not loud and spectacular in an obvious way, just "natural." But then I don't think I've ever heard a non-musical-sounding Sonus Faber speaker, and these Amati anniversarios (to be reviewed by John Atkinson in the May issue of <I>Stereophile</I>) were perfectly complemented by <A HREF="http://www.stereophile.com/hirezplayers/705ayre">Ayre C-5xe</A> universal disc player (<I>Stereophile</I>'s Joint Product of 2005), K-1xe preamp and V-1xe power amp.

The Elac FS 609 XP-1 is a speaker that has intrigued me since I first saw it, but somehow never got a chance to listen to it. On the Friday, my first day at FSI, I was in the room where they had a pair of these speakers, but, wouldn't you know it, they were not the ones being played. Then, on Sunday morning, I saw Vince Scalzitti, the importer, and said "Vince, do you by any chance..." but he didn't let me finish. "You want to hear the bigger Elacs, right? They're playing in the room next door." And indeed they were. Demo'd by the genial Jack Bakerdjian of Audio Gallery, a Toronto Elac dealer, the FS 609 XP-1 (catchy name, what?) driven by Korato tube electronics sounded quite promising, with a very spacious sound, even though the room was almost certainly too small for them. The FS 609 XP-1 ($17,000) uses an improved version of the famous Heil driver, with an omnidirectional supertweeter on top.

No show report can be considered complete without at least one picture of an esoteric tube amplifier, and I wouldn't want to break with this tradition. The Wavac HE 833Ver 1.3 is the stripped-down version of the $350,000/pair SH-833 that was <A HREF="http://www.stereophile.com/tubepoweramps/704wavac">reviewed by Michael Fremer</A> and caused some readers apoplexy. This one is a mere $140,000/pair, the lower price reflecting less elaborate power supplies. A bargain, I'm telling you! I have no reason to believe that this would measure any better than the one reviewed by Mikey, but I must say that the sound of the Verity Lohengrins driven by these amps, using a dCS digital source, was&mdash;apart from some bass softness, which could even have been room-related-absolutely terrific, certainly one of the best sounds at the show. Go figure.

Imagine that, Michael Fremer send me a link that isn't political&mdash;and it's about records.

"Business, and art, went on like this for years, fleecing the rich.

<I>Meet the new boss:</I> Harman Specialty Group, the division of Harman Consumer Group responsible for the Mark Levinson, Revel, and Lexicon brands, has a new president. John Batliner is a 12-year veteran of the company, and, most recently, executive vice-president of HSG. Wayne Morris, current president of the company, will remain active until the end of April.

Last week, www.stereophile.com posted an article concerning Pollara, Inc.'s Canadian Recording Industry Association&ndash;commissioned <A HREF="http://www.stereophile.com/news/032006cria/">144-page report</A> on the downloading habits of Canadian music consumers. We reported that the University of Ottawa's Dr. Michael Geist interpreted the Pollara data <A HREF="http://michaelgeist.ca/component/option,com_content/task,view/id,1168/I…; than the polling group did, in particular noting his conclusion that people who had downloaded music had legally purchased more music than their counterparts who had never done so.