Vivid Audio Introduces Giya Cu Loudspeakers
KEF Debuts New Finishes for Blade One Meta and Blade Two Meta
Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Radiant Acoustics Clarity 6.2 | Technology Introduction
PSB BP7 Subwoofer Unveiled
Apple AirPods Pro 3: First Impressions
Sponsored: Pulsar 121
Sonus faber Announces Amati Supreme Speaker
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

The Extreme MBL X-Treme

At the previous Shows where I had auditioned it, MBL's extravagantly excessive (or should that be excessively extravagant) X-Treme system had been set-up in inappropriate rooms, Finally, at the 2012 CES, this 4-enclosure system, which basically comprises two of the true omnidirectional upper-frequency modules of the Berlin-based company's 101E Mk.2 speaker (to be reviewed by Mikey Fremer in the April 2012 issue) with two man-sized powered subwoofers, each using six 12" drivers mounted three on each side to cancel mechanically induced vibrations, was set up in a room worthy of it. (The Venetian room was 31' by 22' with a 10' ceiling.) Bi-amped with four file-cabinet–sized MBL 9011 monoblocks—the total system cost was $565,000!—the X-Treme produced a big-bottomed sound that was indeed extreme when required but also delicate when appropriate. Oh my!
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Vivid Impresses Web Monkey

Source Interlink Media's Home-Tech Group's self-styled "Web Monkey" Jon Iverson (center) focuses his attention on the new Vivid G3Giya loudspeaker ($40,000/pair), which is scheduled to start shipping in April. Driven by a Luxman amplifier and hooked up with Kubala-Sosna Emotion cables, the G3Giya is a 2/3 scale version of the G1Giya that so impressed Wes Phillips in July 2010, with twin aluminum-cone 7.5" woofers loaded by the same proprietary ported transmission line, this time curled over more severely because of the speaker's reduced height. (The G1Giya used 11" woofers.)
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Vivid's G3Giya Encore

Here's a closer "glamor shot" of the new G3Giya loudspeaker, though it doesn't do justice to the deep gloss maroon finish of the speaker. Note how the fact that the tweeter and upper-midrange unit have to be mounted higher up the curve of the "tail" means that the transmission lines loading these drive-units have become a styling feature rather than buried within the enclosure.
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The Mighty Magico Q7

Costing $165,000/pair, Magico's new Q7—shown here with AudioStream.com editor Michael Lavorgna for scale—embodies everything the Californian company knows about speaker design: a proprietary beryllium-dome tweeter, nano-fiber–sandwich-cone midrange unit and woofers, housed in a sealed all-aluminum enclosure weighing 750 lbs! With the prototype Audeeva music server, Pacific Microsonics DAC, a Spectral preamp, MIT cables, and unidentified amplifiers hidden behind a curtain, the Q7s threw an enormous soundstage on a 176.4kHz/24-bit file of a Reference Recordings orchestral recording, with bass-drum blows that pressurized the room without obscuring a low-level bassoon that was playing at the same time—macro and micro-dynamics.
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Magico S5 Loudspeaker

While Magico's recent high-performance speakers are notable for their all-aluminum cabinet construction, including the Q5 that was our 2011 "Loudspeaker of the Year," the new S5 ($28,600/pair) uses a more conventional enclosure to bring its price within reach of more than just the 1%. While it still uses a beryllium-dome tweeter, this is not made in house.
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Evolution's MMMicroOne

I missed this tiny jewel of a speaker when it made its debut at the 2011 T.H.E.Show, but it's now in production. As I sat down to listen to it at this year's show, I asked what it cost.

"25."

Okay, $25,000/pair is not unheard of for high-performance minimonitors; the Sonus Faber, Magico, and Franco Serblin stand-mount speakers are even more expensive.

"No, 25 hundred per pair. With the stands.

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MSB Diamond DAC IV, Diamond Power Base, WiFi System Interface and Galaxy Clock

The Diamond DAC shown here has now been upgraded with MSB's Pro I2S Network capability which the company claims is a faster, lower jitter version of MSB’s original network and retails between approximately $20-35k depending on included options. The entire line is also now available in this luscious, but hard to photograph, black finish and it's likely I'll be reviewing an MSB system for Stereophile in the next few months.

Below the DAC is the MSB Diamond Power Base power supply running at $4,495 and below that is the very thin WiFi System Interface which brings iPad app control to the entire MSB line for $1,950 and should be available shortly.

Perhaps the most interesting MSB announcement is the $9,950 FemtoSecond Galaxy Clock that the company is making available as a plug in module for all DAC IVs. The claim for the clock upgrade is less than .077 picoseconds of jitter (77 femtoseconds)--let's see if JA can measure that.

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MSB Signature Data CD IV Transport and Power Base

MSB has upgraded their Data CD IV disc player to the new Signature model with a machined metal disc drawer and updated networking. The Pro I2S digital output connects directly to the master clock in the DAC so the Data CD drive is controlled by the same clock that is running the DAC modules and motherboard for "hyper accurate data clocking when playing discs".

This is an interesting transport in that it plays CDs and also DVD data discs (such as Reference Recordings HRx discs) with .wav files up to 32/384! The transport sells for $7,995 and in this photo is paired with the Signature Transport Power Base at $3495.

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Auraliti L1000-USB Streamer

Auriliti revealed their new 24/192 digital music file player, the L1000-USB which the company's Ray Burnham described it to me as "an all-out assault on the high end". Featuring an external power supply, SSD boot drive and AES output, the L1000-USB uses the NTFS file system to sort your networked NAS drive which is all controlled via an iPad running MPaD or any other MPD server compatible app. Available in March for $3,500.
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HRT HeadStreamer

I'm guessing this will be a hot product: asynch USB to stereo out for either headphone or audio feed. Handles up to 24/96 (sample rate indicated by LED), powered by your USB bus and is priced at $139.95. Designed and manufactured in California and available now. I'm really curious to hear how this one sounds.
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