LATEST ADDITIONS

Welcome back, Ladies and Gentlemen, to the continuing saga of the Englishman's Search for True Bass. In the previous episode (footnote 1), you witnessed Our Hero tussling with the problems of ported vs sealed-box woofer loading for full-range speaker systems. His conclusion? That ported designs may offer low-frequency quantity but it always seems to be at the expense of quality. If it's bass quality you want, you are better off with well-tuned sealed boxes, which explains why he is an unashamed fan of relatively small speakers with fast, tight upper bass. In this month's thrilling installment, JA—stiff upper lip thrust forward—wrestles with the problems of extending the bass response of his preferred speakers with a subwoofer from the Californian company of Sumo! Now read on . . .

In our “Becoming an Audiophile” series, readers share stories of how they got into the hi-fi hobby. This is the story of how Bill Pauluh became an audiophile.

On the topic of real hi-fi in the real world, Pro-Ject Debut III turntables and Grado SR80i headphones are available at CB2, the Crate & Barrel offshoot for modern, affordable home goods. No joke: Hi-fi is hip again.

Erick Lichte mentioned Totem Acoustic's Beak, which costs $125/pair, in his follow-up review of the Totem Forest loudspeaker in January 2010. The Beak is a bullet-shaped device, about 2" high by 1.5" in diameter, that's intended to be placed atop a speaker to control "parasitic resonances." I was given a pair of these more than 10 years ago, and have tried them with various speakers. While Erick didn't find the Beaks to make any difference to the sound of the Forests or any of the other speakers he had to hand, my experience was different.

Wagner: Lohengrin
Placido Domingo, Lohengrin; Jessye Norman, Elsa; Eva Randova, Ortrud; Siegmund Nimsgern, Telramund; Hans Sotin, Heinrich; Dietrich Fischer-Dieskau, Heerrufer; Vienna State Opera Chorus; Georg Solti, Vienna Philharmonic Orchestra
London 421 053-1 (4 LPs), 421 053-2 (4 CDs). James Lock, John Pellowe, engs.; Christopher Raeburn, prod. DDD. TT: 222:54

It's always surprised me that Lohengrin, Wagner's most awkward, transitional, and static opera, was, for its first 100 years, his most popular. It didn't help, I suppose, that I began my study of things darkly Teutonic with The Ring and Tristan, working forward and backward from there. In Lohengrin we can hear the last reluctant pullings away from operatic conventions—especially choral—of the first half of the 19th century, and the gropings toward full-blown musikdrama—especially in Act II, scene i.

Saturday, March 17, Noon–7pm: David Michael Audio (4341 Delemere Court, Royal Oak, MI) will host the premiere of the Mårten Django floorstanding loudspeaker ($15,000/pair).

Playing a Compact Disc is nothing like playing a live show.

Wild, right? This is just the latest of the profundities to explode into my mighty brain as I slouch on the orange couch, staring at stacks of CDs, contemplating life and stuff. It came to me on a lovely Sunday morning. The sun was shining, the birds were cheeping, and I was still high from my band's performance two nights earlier.