LATEST ADDITIONS

It is hard for me to be objective about a record such as this. My very being responds to it, not only to the music but to the ideas and feelings behind it. Fortunately for me, this happens to be an excellent recording, with some extraordinary low end on it, so I need not compromise either my critical faculties or my sentiments.

On Monday it was raining lions and tigers all day, but four of the faithful eventually arrived, between an hour and two late. Except Mitch Corbin, musician (Suzy Bogguss, David Bromberg, Byron Berline, David Grisman) and project studio owner, arrived early. That was a good thing, because I gave him a solo audition. When the four others arrived, they each had a headphone to check out and shuffle around. Mitch stuck around to learn everyone's reactions and schmooze for the evening, and a wonderful time was had by all.

The manufacturer's initial advertisement for their mis-named "Vestigal" arm (footnote 1) was so laced with nonsense that we will admit to having been skeptical about the product from the outset.

However, a visiting Wadia representative looked inside our sample and used the word "ancient" to describe its circuitry in relation to current production. In addition, I was never able to audition the 2000 with a glass fiber-optical interface, standard equipment on Wadia's transports. Similarly, the $2000 Wadia X-32 had undergone a minor circuit revision, including the inclusion of the glass optical input. Consequently, a follow-up of these two excellent processors seemed in order.

I do keep my ear out for Skullcandy headphones. Not because I think they're going to produce an amazing sounding headphone—though it's possible—but because they sell a lot of headphones and I want to know if they're treating all those sk8ers right.

With the Grind, I think they sure 'nuf are.