Gramophone Dreams #7
The golden rays pouring in through the left oculus transport a tiny child carrying a cross: ". . . the devil was vanquished, as if he had just swallowed the bait in the mousetrap." In his essay "'Muscipula Diaboli,' The Symbolism of the Mérode Altarpiece," the late art historian Meyer Schapiro explains how every object, every surfaceeven the smoke, light, and volume of spacedepicted in the famous triptych by Robert Campin (ca 13751444) is a coded symbol explicating the mystical underpinnings of Netherlandish Protestantism.
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