Recording and music production technology has seen enormous change in recent years. Engineers and producers now have unprecedented power to manipulate the tinest details in recordings using computers and other tools. But the process may be taking the life and soul out of music. Some feel that commercial recordings lack the spontaneity that makes live music so immediate and satisfying. Others prefer the "perfection."
In the <A HREF="http://www.stereophile.com/news/10054/">first set</A> of prophecies, we foresaw the effects of DVD-Audio, high-end sales around the world, and tweak multidisc CD. For the second installment, we look into our crystal interconnects and foresee new audio data-distribution methods for the coming year.
Martin Colloms argues persuasively in the January 1998 <I>Stereophile</I> that negative feedback is not the panacea that amplifier designers believe it to be. His experience of an amplifier (the Cary CAD-805C) and a preamplifier (the Conrad-Johnson ART) that use no negative feedback other than local degeneration, yet have sound quality better than he has previously experienced, convinces him that even when a design's closed-loop distortion appears to be acceptably low, the listener is still aware of an amplifier's very distorted open-loop behavior.
<B>DELBERT McCLINTON: <I>One of the Fortunate Few</I></B><BR> Rising Tide RTD-53042 (CD). 1997. Gary Nicholson, Emory Gordy, Jr., Delbert McClinton, prods.; Russ Martin, Marc Frigo, engs. AAD? TT: 38:12<BR> Performance <B>****</B><BR> Sonics <B>****½</B>
One of the differences between mass-market and high-end audio is in product model longevity. By this I don't mean that high-end products necessarily last longer—although I think they generally do—but that models remain in a manufacturer's product line longer, perhaps being refined in an evolutionary manner. This helps products retain their value, and, when new models are introduced, these involve more than a cosmetic upgrade and some additional bells'n'whistles.
Digital Versatile Disc (DVD)---the well-publicized successor to VHS tapes, compact discs (CDs), and CD-ROMs---will struggle in the video and music industries, but be a major success for the personal computer industry, according to a recent report from Forrester Research. The report concludes that PC manufacturers will rapidly embrace DVD, resulting in an installed base of 53 million DVD-equipped PCs by 2002.
Only a few days remain until Christmas. Trees, tinsel, twinkling lights, and . . . tunes. It's the audiofool's most dreaded time of the year, when he once again suffers through his nine-thousandth experience of Bing Crosby crooning "Rudolph the Red-Nosed Reindeer." Sheer torture.
In the January '98 <i>Stereophile</i>, Michael Zeugin of Audio Influx asserts that high-end audio is being sucked into a "Black Hole" for a variety of reasons. These include: goofy products, computers taking over the youth market, and boomers' limited income being channeled elsewhere. What do you think?
R<i>olling Stone</i> is going head-to-head with MTV. Last week, Wenner Media, Inc, announced a partnership with JamTV to create a music site on the Web. Wenner is the parent company of <i>Rolling Stone</i> magazine. JamTV is an eight-month-old Internet start-up that broadcasts live concerts.