Once upon a time there was a violin maker who had two quarrelsome sons, and their names were John and Rudolf. When the boys came of age, their father put them to work in his shop, but John and Rudolf found it difficult to get along with one another, and they quarreled even more bitterly after the old man died.
Perhaps I shouldn't have been surprised when I first spied the prototypes for Sonic Frontiers' luscious new digital combo, the Transport 3 CD transport and Processor 3 D/A processor, at HI-FI '97 in San Francisco. After all, this is the company whose meteoric rise from an electronic parts-supply outfit run out of president Chris Johnson's basement, to a large factory pumping out an impressive array of entry-level to <I>crème de la crème</I> tube electronic components, has elevated Sonic Frontiers to front-line status among high-end manufacturers.
Introduced in 2003, Siltech's G5 Classic series of cables evolved from their highly regarded Generation 3. The G3 series introduced a new metallurgy in which small amounts of gold were incorporated into the silver used as conductors. The G5 Classics use a proprietary geometry called X-balanced Micro Technology, which, according to Siltech, makes the G5s the quietest cables, with the lowest distortion, to be found. Kapton, Peek, and Teflon insulation is used, and the cables are designed to minimize the pickup of RF and EM interference, with low inductance, low capacitance, and low resistance as design goals.
Makers of powered subwoofers fall into two camps: those that fit a high-powered amplifier and a single, large woofer into a relatively small, unobtrusive enclosure; and those that build two or more 10" woofers and an amp of moderate power into a larger, heavier enclosure.
Is the music industry in the midst of a turnaround?
Feeling grumpier about spending audio dollars this holiday season? You may not be alone according to a new survey of consumer holiday buying intentions.
From the October 2004 issue, Michael Fremer reviews the <A HREF="http://www.stereophile.com/loudspeakerreviews/1004mbl">mbl 101E Radialstrahler loudspeaker</A>, enthusing, "In one night's listening orgy, I tore through albums by the Weavers, Harry Belafonte, Sweet Honey in the Rock, Tony Bennett, <I>etc</I>—all recorded live in Carnegie Hall. The results were nothing short of astonishing."
Industry observers have long debated the ultimate fate of satellite broadcaster Sirius Radio. Front-runner XM Radio, with more than two million subscribers, is already above the break-even point, but for many months Sirius struggled against technical problems and overwhelming debt. Would the fledgling survive, get devoured by its larger competitor, or worse, get picked up in a fire sale by Rupert Murdoch's News Corp.?
In <A HREF="http://cgi.stereophile.com/cgi-bin/showsoap.cgi?393">last week's Soapbox</A>, reader Andrew A. Edmonds wondered why there aren't more high-end "hard-disk
The observation has been made, often and well, that audio writers are out of touch when it comes to judging value for money. For one thing, we get to live with exotic gear for months at a time, without spending a penny. For another, when we <I>do</I> decide on a more permanent upgrade, we usually get the opportunity to buy at wholesale—at a so-called "industry accommodation price," extended to us because, after all, we <I>are</I> a part of the industry.