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At every show, I make it point to visit at least one company making their debut at the show AT PAF 2023, it was Bella Sound, based in Half Moon Bay, CA, and the offspring of Mike and Barbara Vice. Mike Vice described their path to PAF 2023 as having begun around 2010 with what was to be their first product, the Hanalei power amplifier. It had been ten years in the making and wowed everyone who heard it, but Mike decided that it "just wasn't ready". After eight more years of refining the Hanalei and developing a few other components, Mike and Barbara decided that the time was right and created Bella Sound. Add another 5 years and the COVID-19 lockdown, and here they were.

Even though I knew what to expect, I was still a bit overwhelmed when I walked into the Triangle Art room at PAF 2023. Their products aren't bashful. They practically scream engineering and display a build quality and attention that Ferrari would envy. If MOMA wants an exemplar of industrial art, they need look no further. I wanted to go over each and every one with a fine-toothed comb but—I was on a mission. My plan was to focus on the three turntable models that were being played, sort out their similarities and differences, and determine the extent to which the differences were reflected in the tables' performance.

No show coverage would be complete without a preview of Børresen's major M6 loudspeaker ($550,000/pair) world premiere. Joining forces with products from the three other companies that comprise Audio Group Denmark, Børresen's M6 dominated an exceedingly large room in the extremely attractive exhibit mounted by US Distributor/Dealer Next Level HiFi.

The relationship between Linear Tube Audio (LTA) and Daedalus Audio loudspeakers is so close that the special pair of LTA 20Wpc Ultralinear+ power amplifier monoblocks ($6800/each) on display in room 2106 at PAF—the second of these companies' two joint rooms—boasted a custom faceplate designed specifically for their owner, Daedalus founder Lou Hinkley.

Visiting Chuck Miller's Millercarbon room at PAF gave me the opportunity to check in on Townshend Audio, a quirky British manufacturer of audio gear best known for its well-engineered and very effective isolation products. I've always respected the engineering that went into the development, and liked their "luxurious execution meets form follows function" aesthetic. I've always smiled too, at their straightforward, almost simplistic approach to marketing, one that assumes customers will use logic and common sense to make purchase decisions. The Townshend products in use included $2650/pair Seismic Podiums under the speakers, a $795 Seismic Platform under the amps, and several Seismic Pods at $150/each.

Entering Klaus Bunge's intentionally low-lit Odyssey room was like entering another dimension. Showgoers may have had no idea what the purpose of the room was—even I couldn't discern it from the display—but they could not possibly have been less than fascinated.

"It's the gateway drug to the High End," Vanatoo's Rick Kernan quipped of the larger of Vanatoo's two diminutive active loudspeakers. He was speaking of the successor to the Vanatoo Transparent One Encore that I reviewed in 2019, the Transparent One Encore Plus (T1E+) active loudspeaker ($650/pair, up from $599/pair four years ago).