LATEST ADDITIONS

With the exception of dCS and Accuphase, you don't see anyone jumping on the bandwagon of $15,000-plus SACD players&mdash;and for good reason. Despite enthusiasm for the format within the relatively small audiophile community, high-resolution audio isn't exactly making waves on the front pages&mdash;or even the back pages&mdash;of the mainstream news media. And while ABKCO Records has sold millions of Rolling Stones hybrid SACD/CDs, and Sony is looking to repeat that phenomenon with the recent Dylan hybrids, what's being sold in both cases are CDs, <I>not</I> SACDs. The higher-resolution layer is simply going along for the ride.

The manufacture and marketing of so-called "universal" digital disc players should have been a no-brainer right from the start. I recall the first demo of SACD I attended, when both SACD and DVD-Audio were little more than promises and contentions. That prototype Philips player consisted of several cubic feet of hardware controlled by a computer, even though mockups of more marketable SACD players were arrayed around the room. After the demo, I asked one of the Philips engineers if it were possible to make a player that could handle CD, SACD, <I>and</I> DVD-A. His reply: "Sure, if <I>they</I> let me do it."

Many people complain that the reason record sales are down is that the quality of new music is heading south. Do you agree? Have new releases improved this past year or are they still on a slide?

Now that 2003 is almost a memory, it's time for <A HREF="http://www.stereophile.com/features/1203poty">The 2003 Products of the Year</A>. Once again <I>Stereophile</I>'s writers cast their votes on the year's audio worthies.

And then there were four: Sony's music division and German media company Bertelsmann, parent of the BMG record label, have decided that they've got a better chance under one roof. Last week, the two companies revealed that they will merge their music divisions into a new company called Sony BMG.

Since 1992, Stereophile has recognized components that have proved capable of giving musical pleasure beyond the formal review period by naming its "Products of the Year." These are the components that can be recommended without any ifs or buts, that will grace any system in which they used.

At what point does a high price become exorbitant? When do you start doing double takes, to make sure you haven't mentally moved a decimal point? When do you look at something and think, "No matter how good it may be, it's just not worth that much money"?