Smells Like Herr Hitler
Tony Perrottet tells us that Spike Jones was closer to being right than we suspected.
Tony Perrottet tells us that Spike Jones was closer to being right than we suspected.
They're always in the last place you look.
Oh boy! Your iPod is going to die, too. Want to know when?
Good news! You're going to die—want to find out when?
The classic audiophile "pose" is sitting still in a chair, probably with eyes shut, and perhaps a toe tapping. But some music demands that you leave your seat and dance. Do you often get up and move when your audio system is playing?
Ars-Sonum is a Spanish audio company that, as far as I can tell, makes only one product—but it's a doozy (footnote 1). The Filarmonía SE is a tube integrated amplifier that is, in many ways, an homage to Dynaco's iconic Stereo 70 power amplifier of 1959, but the Filarmonía is by no means a slavish copy. Get down to specifics, and it's actually more of a clean-sheet-of-paper design.
The <A HREF="http://www.stereophile.com/solidpreamps/694krc2">Krell KRC-2</A> can be regarded as a remote-controlled successor to Krell's successful KSL preamplifier of a few years back. The outboard Krell Phono Equalizer (KPE) is a separate box powered from the KRC-2. Priced at $850, it contains a printed circuit board very similar, in fact, to the $499 unit that can be fitted within the KRC. The KPE and KRC phono stages are well-designed universal units; if someone has the need for a stand-alone phono equalizer of Krell KRC standard, a separate power supply may be purchased for the KPE. It is also an advantage to be able to locate the KPE head amplifier in a hum-free zone near the LP turntable.
There's always a certain amount of jockeying for position at the very top of the High End. Every few months, a new star burns brightly, getting all the attention. While the constant turnover at the cutting edge helps to define the state of the art, audiophiles should keep their eyes on the longer term. It's a company's track record—examined over a period of years—which defines its position in the market and the credibility of its products.
This is not a new component, but like most others that aspire to very high standards of performance, it has undergone some changes (for the better) since it first went into production.
The invitation looked intriguing: "We are happy to welcome you to The Netherlands in September for the offical introduction of the Siltech Pantheon Loudspeaker." <A HREF="www.siltechcables.com">Siltech</A> introducing a loudspeaker? I was well familiar with the Dutch company, celebrating its 25<SUP>th</SUP> anniversary next year, as a cable manufacturer. Indeed, some of the first high-end cables I had found to sound better than what I had been used to were Siltechs, back in the mid-1980s. Paul Bolin had been impressed by his <A HREF="http://www.stereophile.com/cables/1004siltech">auditioning of more recent G5 models in 2004</A>. And Siltech's founder, Edwin van der Kley, is married to the irrepressible Gabi van der Kley, principal of Crystal Cable with whom I had had a rather intense breakfast meeting with during last May's <A HREF="http://blog.stereophile.com/he2007">Home Entertainment 2007</A>. (<I>All</I> conversations with Gabi are intense.) But loudspeakers?