Now look at this and drool. You want it, you need it, you gotta have it: Sub Pop's deluxe edition of Nirvana's <i>Bleach</i>, available <a href="http://www.subpop.com/releases/nirvana/full_lengths/bleach_deluxe_editi… 3</a>.
Hey. If you like Cold Cave, I think you'll like Bal Pare. It's pretty safe to judge a 7" by its cover, which is what I did when I saw this one winking at me from the racks at Other Music. How could it not be good, all masked and silvery and naked like that?
Effi Briest sort of reminds me of Gang Gang Dance. And I like that. Check out this dizzying video for "Mirror Rim."
<i>The Vivian Girls (from left): Ali Koehler, Cassie Ramone, and Kickball Katy. Photo: Arnaud Bianquis.</i>
Look at this thing. It’s a <a href="http://www.verityaudio.com/en/index.php/products/finn">Verity Audio Finn</a> in seductive Norwegian Birch. Don’t you want to just squeeze it? Don’t you want to just bring it home with you?
Still on the road in Memphis. At the center of any music trip to Memphis is the odd but very telling juxtaposition of Graceland and the relatively new Stax museum. Elvis was always very up front about where his influences came from—black blues and R&B, along with gospel music, both white and black, and Tin Pan Alley—’ most of which is honored in the Stax museum. And for the record let me say that I will never understand how Memphis, THE big city for all the delta blues pioneers, not to mention the town’s subsequent musical history, B.B. King, Elvis, Alex Chilton, Ardent Studios, etc. took their eye off the ball and lost the Rock Hall (Rock and Roll Hall of Fame) to the mistake by the lake. Such a pity. It would have given this town a triple threat of music tourism. Whoever was Mayor then, not to mention the city council, the local state legislators and oh yes, the fine gun–totin’, God Afearin’ folks of the Tennessee delegation to Congress ought to be beaten.
Forget about what you think will <I>probably</I> happen, if you could set the agenda, where would you like to see audio go in the next 20-30 years?
This is what my life will be like starting this Thursday and ending next Tuesday. I should’ve been in this video, though. I mean, seriously: Thao, give me a call next time. What’s up?
The November 2009 issue of <i>Stereophile</i> is now on newsstands. On the cover, you’ll see a close-up of the Aerial Acoustics Model 20T V2 loudspeaker, which John Atkinson praised for its silky treble and weighty, well-defined bass. An interview with Aerial’s designer, Michael Kelly, appears <a href="http://www.stereophile.com/interviews/467/index.html">here</a>, while Michael Fremer’s review of the original 20T can be found <a href="http://www.stereophile.com/floorloudspeakers/404aerial/index.html">here…;.
For 15 years, lovers of low-power amplifiers have clamored for more and better high-efficiency loudspeakers (footnote 1). For 15 years, their choices have remained limited to products with varying combinations of colored sound, poor spatial performance, basslessness, high cost, and cosmetics that range from the weak to the repulsive.