Jay Reatard
<a href="http://www.matadorrecords.com/matablog/2010/01/13/jay-reatard/">May 1, 1980–January 13, 2010</a>
<a href="http://www.matadorrecords.com/matablog/2010/01/13/jay-reatard/">May 1, 1980–January 13, 2010</a>
San-Diego-based PBN is best-known for its heroically proportioned loudspeakers, but PBN's Peter Noerbaek introduced his new Sammy loudspeaker at THE Show, which, as you can see from the photo, is a little more manageable in size. The 55"-tall Sammy uses premium Scanspeak drive-units in an unusually constructed cabinet (see next photo): a new, long-travel 10” Revelator woofer, a wide-range, 4” Illuminator midrange unit, and the Danish company's new pressure-formed beryllium-dome tweeter. Price will be $29,500/pair.
PBN's new speakers feature an enclosure formed from CNC-machined MDF layers, with an interior surface intended to minimize standing waves.
Though my photo shows the Canadian company's Director of Marketing Mark Aling with the top-of-the-line Paradigm Reference Signature S8 tower, my interest was piqued by Paradigm's new SE speakers. The Special Edition series combines elements of the more expensive Paradigm models, such as the tweeter from the Monitor series with the mineral-filled polypropylene-cone bass/midrange drivers from the Reference Studio series. The two-way SE1 bookshelf will sell for a very affordable $598/pair and the three-way floorstanding SE3 for $1398/pair.
One of my last stops at THE Show at the Flamingo was the Teresonic room, where Mike Zivkovic demmed his 6'-tall single-driver Ingenium Silver Edition speaker using his own single-ended 2A3 tube amplifier. According to Mike, the amp uses interstage and output transformers from Lundahl and "there is not a capacitor in the circuit."
Since the ES14 from the mid-1980s, speakers from the English Epos company have been renowned for their midrange magic, not for ultimate dynamics. But Mike Creek, Epos's owner, is aiming for both with the Encore 50, which made its debut at CES. This three-way floorstander, priced at $9995/pair, uses two port-loaded 9" woofers with Kevlar/carbon-fiber/pulp-composite cones, in a large cabinet to achieve a high 90dB sensitivity, while the metal-dome tweeter uses an injected-molded roll surround to give high excursion. The midrange is fed by a tapped autotransformer to allow adjustment to a tight tolerance in production.
I was highly impressed with the dynamics, speed, and pace of a new $8000/pair loudspeaker from John DeVore, a speaker maker from my area of the country, Brooklyn, New York. I had first read about John in the <I>New York Times</I> when it featured new and brave entrepreneurs making their way in Brooklyn during the recent recession. I was interested, because of my medical research background, that the very tall Mr. DeVore had been positively influenced in his younger years by an uncle who was a leading primatologist, and had take him to Africa to view various monkeys living in their natural habitat. As a result, John names his loudspeaker lines for various species, including the Gibbon, Silverback, and now Orangutan. This floorstanding, two-way, high-sensitivity ([95]dB/2.83V/m) loudspeaker features a 1" silk-dome tweeter and a reflex-loaded, 10" treated-paper woofer (rear port) in a cabinet with a lace walnut finish. I was struck by the similarity between John's energy and enthusiasm and the dynamics and pace of the music the Orangutan generated driven by the 15Wpc Mag Amp.
John Devore was using this diminutive integrated amplifier, the German-manufactured Acoustic Plan Mag Amp, to drive his new high-sensitivity loudspeakers. According to Jonathan Halpern, the US importer, the Mag Amp uses a tubed voltage-gain stage and an output stage comprised of two small transformers with dual primaries. He described it as the "world's first switching integrated amplifier, and added that it was designed by Lars Lundahl in the 1960s. The 19 kg stereo chassis offers 15Wpc into 8 ohms and will cost $18,500. It played both a 1980s recording of Ella Fitzgerald and one of Stravinsky's <I>Pulcinella Suite</I> with great dynamics, speed, and detail. This is the kind of odd and fascinating gem one can uncover at the end of a day when one is too tired to rush out of an exhibit room, and instead collapses on the couch to listen.
One of the many delights of CES was running into Neil Sinclair, former owner of Theta Digital, in the hallways of the Venetian. In answer to my question, "What would you recommend I check out?" Neil led me to the King's Audio suite.