LATEST ADDITIONS

The internal battle between the head and the heart, between the analytical and romantic sides of our nature, is a difficult one. I'm an engineer, so it seems as if my cold, calculating side should have the upper hand. This is true in a lot of cases; most of my actions and decisions are based on straightforward, logical analyses. However, things like a house full of castaway dogs, or a garage full of quixotic British cars and Italian motorcycles, suggest that my heart holds sway reasonably—perhaps distressingly—often.

To compartmentalize or not to compartmentalize, that is the question. Does one review an expensive CD player at the dawn of the 24-bit/96kHz digital age by pulling a "Clinton," standing defiantly before a jury of audio peers to deliver a speech on the state of the CD art, boxing in, roping off, and all but ignoring the new, supposedly unimpeachable medium?

John Atkinson flapped his bushy eyebrows at me and smiled slyly. "Hey, J-10, why don't <I>you</I> do the Sony SCD-C333ES SACD carousel player for April?" Usually, when JA gets that look on his face, I seek shelter. The phone bripped suddenly in my office, but I knew it was too late. "Oooo-<I>kay</I>..." I smiled back, thinking of <I>Stereophile</I>'s recent covers and the hubbub, bub, thick as it comes, that they'd produced. (See "Letters" in the February and March issues.)

There's a certain commercial symbiosis between audio companies and public performance spaces. Tokyo has its <A HREF="http://www.yamaha-hall.co.jp/">Yamaha Hall</A>; New York has its Avery Fisher Hall (<A HREF="http://www.bluffton.edu/~sullivanm/abram/abram.html">1</A&gt;, <A HREF="http://www.lincolncenter.org/visitor/halldescriptions_afh.asp?ws=">2</A…;), named for the hi-fi pioneer whose products were among the best available in the early 1960s.

Jack English noted in March 1994, "I lobbied ProAc designer Stuart Tyler tirelessly to take a crack at a truly full-range speaker which would preserve the strengths of the Response lineup. My wish came true in mid-1993, with the release of the monstrous <A HREF="http://www.stereophile.com/loudspeakerreviews/394proac">ProAc Response 4 loudspeaker</A>."

It's one of leading audio controversies: Do different audio cables

If the sole criterion for choosing a winner in today's hotly contested premium arms race was original thinking, the Immedia RPM-2 might well come out on top. While some of its design details resemble those found on other products, in many significant areas the arm is unique&mdash;not for uniqueness's sake, but in order to efficiently implement some clearly considered goals. If the unipivot RPM-2 bears a resemblance to any other contemporary arm, it is Naim's highly regarded ARO&mdash;which I've never heard. The similarity, though, would appear to be superficial.