Gamut makes everything from source components to loudspeakers, so the Gamut room really <I>was</I> the Gamut room. Lars Goller designed the $14,800/pair l-7 three-way floorstanders and I was knocked out by how relaxed and natural acoustic music sounded though them. They looked fabulous, too.
They're so small, you'd almost have to bet they're class-D, but the $16,500/pair 300W MX-Rs are linear all the way. The tiny brutes were fed by Ayre's C-5xe universal player ($5950) and K-1x preamplifier ($8600 with phono section), and Ayre cables. The system, which included Vandersteen Quatro Wood speakers, sounded far more detailed and lithe than the MX-Rs did at CES. MAybe it's the smaller room, or maybe it's those Quatros. Heck, it could even be that Ayre's Charlie Hansen can't leave a good thing alone either.
Richard Vandersteen can't leave a good thing alone. He got to tinkering with his Quatro ($6995/pair, reviewed by Mikey Fremer in the forthcoming July issue of <I>Stereophile</I>) by replacing the fabric shells with wood, reinforcing the speaker's base with X material, and replacing the tweeter with the model from his 5 Signature. The result is a small, floorstanding loudspeaker with huge sound. The Quatro Woods run $10,000/pair.
I met Pete Roth, who owns an Ayre system, in, of all places, the Ayre/Vandersteen room, where he was checking out the MX-Rs. Pete says I'm his favorite <I>Stereophile</I> writer, so I'm now Pete's biggest fan. I posted his picture simply to prove to my wife that <I>someone</I> actually does read the stuff I'm always too busy working on to help with the chores.
Those who’ve admired the sound of the speakers from TAD, but could not get past the prices, will be interested in the new line from Pioneer, which use trickle-down versions of the TAD drivers and cabinets just slightly less elaborate in resonance-damping characteristics, and much lower prices ($6000 for the S-1EX pair on demo). Designer Andrew Jones is obviously pleased by the sound, as well he might be.
David Wilson seems excited about his new Series 8 Watt/Puppy speaker system, and, having heard the demo, I can appreciate why. The company gets bonus points for listing the music used on a poster outside the door of the dem room.
<I>Stereophile</I> Assistant Editor/Master Blogger Stephen Mejias (left) and the magazine's self-described "Web Monkey" Jon Iverson (right) seem to be enjoying themselves at the Show.
A CD player that combines the transport from a Sony PlayStation, an output section using rare New Old Stock tubes, and no remote control? That’s the DynaStation II CD player ($6000), said to have a cult following in Germany, and now imported by Avatar Acoustics. You can have it somewhat cheaper if you want less esoteric tubes, or pay more if you want even more esoteric ones. The system with Ascendo System E speakers, using the DynaStation II as the source, sounded really good, though.
The rebirth of Reference Recordings is one of the feel-good stories of audio. Here’s RR’s Marcia Martin, holding up two of their new releases, from pianist Joel Fan and from Keith Lockhart conducting the Utah Symphony in works by Bernstein.
My final audition before attending the warm, "family affair" Classics Records press conference took place in Elliot Midwood's Acoustic Image room, which displayed gear he sells at his store in Studio City, CA. Once I spyed the same ESP Concert Grand SI speakers ($40,000/pair ) that drove <A HREF="http://www.stereophile.com/thefifthelement/406fifth">John Marks into ecstasy in April</A>, I had to listen. Amplification came complements of Wavestream Kinetic V8 monoblocks, which output 250–300W in triode mode ($35,000). Also on hand were the fabled Messenger preamp and the Lector four-chassis CD Drive and DAC ($9000).