Too Much Fun
"Basically, we're just having too much fun," Conrad-Johnson's Lew Johnson told me. "We're introducing three new state-of-the-art products. Well, the ART Series 3 is more new and improved.
"Basically, we're just having too much fun," Conrad-Johnson's Lew Johnson told me. "We're introducing three new state-of-the-art products. Well, the ART Series 3 is more new and improved.
Lew Johnson pointed at the LP275M ($12,500). "This is something CJ hasn't done in a while: a high output tube monoblock. We use four pairs of 6550s to obtain 275W with our proprietary translinear transformers. We can configure it for 2, 4, 8, or 16 Ohm loads (standard is 4 Ohm). Like our most recent designs, we're using metal foil resistors and Teflon CJD capacitors. We'll be shipping them by February."
"Here's something a little different for us," CJ's Lew Johnson continued his tour. "The $10,000 TEA1 triode equalization amplifier embodies our current understanding of the state-of-the-art in phono stage design. It's a zero loop feedback design with two tube gain stages and a passive equalization network. We put a high-current buffer stage isolates the unit from cable and other loading elements."
"I'm not done," Lew Johnson said. "I showed you our high-aspiration products, now here's one more from the heart: the ET250S is a more realistically priced product at $7500 for 250Wpc. At the heart of the amp is a single-ended triode amplifier that supplies the voltage gain. A high-current buffer stage couples that to the speaker load. That architecture gives you tube grace and finesse, but deliver all the brute force you need for any loudspeaker. We'll ship them in February."
The ever-gracious Rosemarie Torcivia running the Primedia room at the Venetian.
In case you were wondering, you can find me in Vegas. <a href="http://blog.stereophile.com/ces2007/">Our live coverage</a> takes you into the heart of the Consumer Electronics Show.
When I reviewed KEF's top-line Reference 207 loudspeaker in <A HREF="http://www.stereophile.com/floorloudspeakers/775/">February 2004</A>, it featured a supertweeter perched atop the module housing the coaxial Uni-Q tweeter/midrange driver to achieve true ultrasonic performance. A redesign of the Uni-Q driver, the tweeter in particular, has meant that the supertweeter could be dispensed with for the Mk.2 version, launched at the 2007 CES.
When <I>Stereophile</I> webmaster Jon Iverson speaks, I listen, so when, in a conversation the night before the Show opened, he mentioned that he felt wireless speakers would be big in 2007, I looked out for examples.
English speaker company Monitor Audio has been producing a range of excellent affordable speakers since its managment buyout nine years ago, including the Silver RS6 tower that so impressed Bob Reina <A HREF="http://www.stereophile.com/floorloudspeakers/306monitor/">last March</A>. Their suite at the Hilton, however, saw the Platinum series, an assault on the state of the speaker art from a design team led by Dean Hartley (above).
Wanting to hear more of newest addition to the line that includes the Andra II, successor to <I>Stereophile</I>'s 1997 "Loudspeaker of the Year," I visited Egglestonworks' second The Nine room after the Show's first day closed at 5pm. Here I discovered a wonderful depth to the presentation, thanks to McCormack's UDP-1 universal player and DNA-500 amplification, as well as to the Kubala-Sosna cabling. The treble was also nicely focused. Alas, despite another round of Echo Buster room treatment and a striking-looking Grand Prix rack, The Nine's bass control was defeated by the room's square dimensions.