Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Where's the Subwoofer?

Other <I>Stereophile</I> writers, like <A HREF="http://blog.stereophile.com/he2007/051307Sjfon/">Wes Phillips</A> and <A HREF="http://blog.stereophile.com/he2007/051407sweden/">Stephen Mejias</A>, had mentioned how impressed they had been with the sound in the Sj&#246;fn room, but what I had not appreciated until I visited the Swedish manufacturer's room towards the end of the Show was: a) how small these speakers were; b) how good the stereo imaging was despite the speakers being right up against the wall behind them; and c) how much thunderous bass was being produced by just two reflex-loaded 4" woofers! Of course, the Guru speaker ($1800/pair), photographed here by Larry Greenhill, is designed to take advantage of the low-frequency boundary reinforcement afforded by the close-to-the-corner positioning, but even so, I was surprised by the result. The speakers also sung on soprano vocals; Sj&#246;fn is a company to watch out for, especially as the fact that the speakers must not be used out in the room makes them <I>very</I> spouse-friendly.

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Music Courtesy of John Marks

<I>Stereophile</I> columnist John Marks brought an encyclopedic knowledge of music and musicians to the magazine when he started his "<A HREF="http://www.stereophile.com/thefifthelement/">Fifth Element</A>" column in March 2001. At HE2007, he played some of his favorite recordings in as many rooms as he could, including <A HREF="http://stereophile.com/thefifthelement/1006fifth/">his own recording</A> of the Herbert Howells organ piece Larry Greenhill mentioned in another posting (<I>Master Tallis's Lament</I>, a personal favorite of mine) and an extraordinary choral recording, <A HREF="http://www.stereophile.com/thefifthelement/207fifth/index1.html"><I>When David Heard</I></A>, from the young composer Eric Whitacre. As you can see from this photo taken in the Egglestonworks, Rogue, and Echobusters room, Showgoers very much appreciated John's efforts.

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Old Friends #2

As Robert Deutsch mentioned in his <A HREF="http://blog.stereophile.com/fsi2007/041307gershman/">report</A&gt; from the 2007 Montreal Show, Ofra (left) and Eli (right) Gershman of Gershman Acoustics have been exhibitors at just about every audio/home theater show the past few years. As in Montreal, the Gershmans were demming their new Sonogram speaker at HE2007. More conventional in appearance than their flagship Black Swan, the Sonogram, photographed here by Larry Greenhill, is priced at a very competitive $2500/pair.

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Old Friends #1

An enduring aspect of Audio Shows is the meeting up of old friends, colleagues, and acquaintances, who all share a sense of belonging to a single community. Shown here in a chance meeting at the Grand Hyatt's entrance are (l&ndash;r): veteran speaker designer Richard Vandersteen, tube amp manufacturer Mark O'Brien of Rogue Audio, and <I>Stereophile</I>'s associate publisher Keith Pray.

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Elgar, Yes!

It's about time this great composer was recognized for the deep well of complexity and musical emotional he brought to the concert (and recording stage). If you can listen to the Second Symphony and not experience that dark three o'clock of the soul, then maybe music just isn't your thing.

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Collaboration and Communication—All That Jazz

Performing music in a group is all about collaboration and communication. Look closely at this picture of the John Atkinson Trio, in performance on the last day of HE2007. JA is playing a solo, and both pianist Bob Reina and drummer Allen Perkins are listening and watching intently. In his comments after the number, Bob said that they had some differences of opinion about how to end the number, and resolving these differences required some give-and-take in the actual playing. Now that's jazz!
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