Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

20 Years of Naxos

Naxos is making money from classical music. In the record industry, which seems to daily lament declining sales, piracy, and the demise of bricks-and-mortar retailers, that's news in itself. But when the world's largest independent classical-music company is able to turn a tidy profit while catering to the needs of audiophiles, that's cause for rejoicing.

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Luciano Pavarotti

<A HREF="http://www.lucianopavarotti.com/">Luciano Pavarotti</A> interrupted the extended farewell tour he'd begun in 2004 to undergo cancer surgery last July in a New York City hospital. Though he often proclaimed intentions to resume touring, he was forced to curtail further public appearances. After a recent hospitalization for a high fever, he was released on August 25 to spend his remaining days at home. His second wife, sister, four daughters, nephews, and close relatives and friends were all at his side in Modena September 6 as he died.

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Wisdom In-Walls Use Audyssey EQ

It was disorienting to arrive in the Denver Convention Center and both have to re-learn where everything is and to try to maintain my bearings on the Show floor. The grid of floor sites is very approximately regular, with each numbered row thickening and thinning to complement its neighbors. At one point, I had let myself be led around to three different booths by a press representative, only to look up and not know which was the front and which was back!

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Bag End Introduces Active Acoustics Correction

Look at the picture and tell me that those don’t look like speakers! They are, of course, but they are not intended to be driven by audio signals directly. What subwoofer manufacturer Bag End was demonstrating is a small, active bass trap, the E-Trap, and they are driven by the bass frequencies in the room. Each of these small boxes contains a driver, two microphones, and some pretty snazzy electronics that let the driver cancel the energy at the frequency (or two) of your room’s major mode. Sure, acoustic treatment is generally best, but that can get awfully cumbersome below 100Hz. Adjustments allow you to select frequencies between 20Hz and 65Hz and adjust the amplitude and shape of the cancellation. For critical success, you need to experiment with placement (although that is almost always at a room boundary) and, at the moment, have access to some nice FFT software. Bag End's James Wischmeyer promises that, eventually, some simpler setup software will be provided. Mebbe, but I asked to try one ASAP.

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Bryston's First CD Player

I finally got a chance to look at, but not yet hear, Bryston's first venture into a source component, the BCD-1 CD player. James Tanner gave me a tour of the innards which were even more impressive than the beautifully carved front panel and sturdy disc tray. He said that, while they used a Philips transport, all the control electronics were replaced by discrete Bryston-designed drivers and DACs and that separate transformer windings powered separate power supplies for the transport and audio electronics, with multiple isolated and regulated supplies for individual circuits and channels. That allows the class-A output stages to function best. In addition to the analog outputs, transformer-coupled S/PDIF and AES/EBU digital outputs are provided.

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Marantz Reference

Marantz was showing some heavy metal: Its new line of reference components, which will only be available at select dealers. Shown here are the SA-11S2 SACD player ($6999.99), the SA-7S2 stereo control preamplifier ($7999.99), and the MA-9S2 monoblock power amplifiers ($7999.99 each).

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Pioneer's Flagship Two-Chassis Receiver

Pioneer showed a number of interesting new products in two-channel electronics and speakers. but pride of place was ceded to their new flagship A/V receiver, the SC-09TX. This is almost, but not quite, a pair of separates with the 10-channel, ICE-powered class-D amp confined to a chassis separated from the rest of the digital and line-level electronics. The main 7 channels are rated at 200W, operated simultaneously. I thought it notable that the amplifier chassis is configured to be under the main chassis and that indicates that we’ve reached a point where the efficiency of class-D amps allows the power-hungry DSP and video processing to breathe out the top. Fans help, too. Every conceivable input and output is provided including 6 HDMI inputs and two HDMI outputs, accommodations for XM, Sirius, and iPod input, and a talented EtherNet link. I show you the back panel to impress you with the connectivity and the distinct chassis for the power amp. The front panel sports a 4" LCD for control and video previewing.

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