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<B>Recording of October 2007: <I>This Is Somewhere</I></B><BR>
Hollywood D00038502 (CD). 2007. Grace Potter and the Nocturnals, prods.; Mike Daly, prod., asst. eng.; Joe Chiccarelli, eng.; Kennie Takahashi, Travis Huff, Tim Bright, Wayne Warnecke, Otto D'Angelo, asst. engs. AAD? TT: 48:34<BR>
Performance ****&#189;<BR>
Sonics ****

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Musical Fidelity/Era Design distributor SignalPath's David Solomon is also interested in the desktop and enthusiastically demmed the new Peachtree Decco for me. The $700 tubed D/A processor/60Wpc integrated amplifier has a rear-panel bay that will accommodate the popular Sonos ZP80 WiFi media player and will take either digital or analog signals to its own, higher-quality DAC circuitry and output stage. It also has a USB input. The revolution is here.

Audioengine is making a name for itself with its extremely affordable powered speakers. But rather than photograph the speakers being demmed at RMAF, I concentrated on the Apple iBook running iTunes being used as the source. "What's <I>that</I>?" I asked, pointing to the dongle.

I went into the Esoteric room to take a listen to the digital components that build on the performance of the excellent SA-60 universal player that graced our October cover. But my attention was drawn to a pair of elegant loudspeakers sporting the Esoteric name. The Mg20 floorstander ($8410/pair) and bookshelf Mg10 ($5500/pair plus stands) feature tweeters and woofers fabricated from the very light metal magnesium, which is said to have an optimal combination of stiffness and self-damping. It has not been previously used in speakers (other than in alloys) because it degrades with exposure to the air. However, Esoteric collaborated with a British company to develop an effective protective coating.

Well, not really. But the Thiel CS3.7 speakers set-up in the Denver Audio Designs room could be driven either by an all-Bryston system&mdash;the new BCD-1 CD player ($2395), BP26 preamp, and a pair 7B-SST monoblocks&mdash;or an all-Simaudio Moon system: SuperNova CD player P7 preamp, and W7 power amp. I listened to "Comfortably Numb" from Pink Floyd's <I>The Wall</I> with both set-ups and the differences were both audible and surprising. The Moon system favored David Gilmour's paradigmatic guitar solo; the Bryston the contribution of David Mason's drums and Roger Waters' bass. I could have lived with either.