Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Recording of January 1991: 1990 Aragon Jam Sessions

<B>Glasnost Mondial Supergroup: <I>1990 Aragon Jam Sessions</I></B><BR>
Anthony Federici, Michael Fremer, Roland Marconi, Bob Reina, Paul Rosenberg, Rob Sample, vocals; Frank Doris, Steve Harris, Roland Marconi, Paul Rosenberg, guitars; Elliot Kallen, Bob Reina, keyboards; John Atkinson, bass; Allen Perkins, Neil Sinclair, drums<BR>
Bainbridge GMS-1 (CD only). PJ Littleton, Michael Kusiak, Jr., engs.; PJ Littleton, Paul Rosenberg, prods. Recorded live with direct feed to the Colossus Digital Audio System from a single MS-4 surround 4-channel microphone. DDD. TT: 71:42

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Mark Levinson No.331 power amplifier

The No.331 is the latest iteration in a series of Mark Levinson 100Wpc, solid-state, stereo power amplifiers. Extensive cosmetic alterations, internal structural changes, and new circuit designs make it quite different from the No.27 and No.27.5 models that preceded it. These design refinements emanate from Madrigal Audio Laboratories' latest flagship amplifier, the $32,000/pair, 300W RMS Mark Levinson No.33 Reference.

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Rhythm-a-ning with Branford

It’s been several years since I saw Branford Marsalis play live, but if tonight’s late set at the Jazz Standard is anything to go by, let’s just say that his last few albums don’t begin to capture the peaks he’s scaling. He started the set with a slow pure-tone simmer of “Violets for Your Furs,” switched to a raucous original, and, at one point, lit into long, zigzag takes on Monk’s “Rhythm-a-ning,” treating it alternately as a funk fizz, a samba, a syncopated frenzy, and a straightforward Monk tune, each switch ripe with wit, adventure, and wry references reminiscent of Dexter Gordon’s (the deftest were two lines from “Jitterbug Waltz”). He blows hot and cool, intense and insouciant. At 48, the onetime wunderkind (and Wynton bro’) has grown fully into his promise and beyond. Another star of the evening was his drummer, an 18-year-old high-school senior from Philadelphia named Justin Faulkner, who’s replaced the longtime Jeff “Tain” Watts. Faulkner is incredible, klook-a-mopping the trapset with ferocious energy and gigantic ears, picking up on every twist from pianist Joey Calderazzo, expanding the spaces left open, then filling them with endless variations. He has a tendency to play louder as the music grows more intense, but hey, he’s 18. There’s a hint of a budding Elvin Jones here. Go watch and listen. The quartet plays through Sunday. The house was jam-packed.

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Lamm Industries M1.1 monoblock power amplifier

What is it about a component that makes the blas&#233; High Ender sit up and say, "Hey, this is special!"? What elements of its reproduction reach out to you and won't let go? How does the intrepid audio reviewer find a way to describe these hopefully recurring moments of musical discovery which define the high-end experience? How many times, after all, can you say, "Ooooo, ahhhhh, that's the best [<I>insert some part of the frequency range here</I>]," <I>ad nauseam</I>? How much difference is there, anyway? Therein lies the tale...

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