Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

The Incredible String Band Reissues

<B><I>The Incredible String Band</I></B><BR>
Hannibal HNCD 4437 (CD only). TT: 45:15<BR>
<B><I>The 5000 Spirits or The Layers of the Onion</I></B><BR>
Hannibal HNCD 4438 (CD only). TT: 50:06<BR>
<B><I>The Hangman's Beautiful Daughter</I></B><BR>
Hannibal HNCD 4421 (CD only). TT: 50:12<BR>
<B><I>Wee Tam &amp; the Big Huge</I></B><BR>
Hannibal HNCD 4802 (2 CDs only). TT: 87:49<BR>
<B><I>Changing Horses</I></B><BR>
Hannibal HNCD 4439 (CD only). TT: 50:24<BR>
<B><I>I Looked Up</I></B><BR>
Hannibal HNCD 4440 (CD only). TT: 41:30<BR>
<I>All above:</I> Joe Boyd, prod.; John Wood, eng. AAD.

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The Revolution That Never Was

Not too many years ago, high-fidelity movement was being hailed from all quarters (and many halves) as a revolution. In the sense that it took the country storm, and made billions of dollars for many entrepreneurs during heyday, it was indeed a revolution. But now the public has grown tired of high fidelity and is turning other electronic diversions&#151;video, video games, and computering. And what, as of this summer of 1982, do we have to show for the high-fidelity revolution?

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Can't Get Over You

Exactly six months after we’d seen them perform in Puerto Rico, at that strange island bar, Bamboo Beach (see “Records to Die For,” February 2010, pages 71-72), the <a href="http://blog.stereophile.com/stephenmejias/when_im_gone/">Vivian Girls</a> performed on Saturday night, this time so much closer to home, at Maxwell’s in Hoboken. I bought tickets for the whole crew&#151Rizzo, Fritzy, Papi Chulo, Fuzzy, and Tigga&#151so that, together again for the first time since that memorable trip, we could <a href="http://blog.stereophile.com/stephenmejias/what_happened_in_puerto_rico/… the magic</a>. We ate well, drank too much, laughed, danced, and sang along as the Vivian Girls burned through their energetic set.

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A Fun Day of Work

We’re currently working on our July 2010 issue, which will include Wes Phillips’ review of the Vivid Audio G1Giya loudspeaker ($65,000/pair). Near the end of Wes’ auditioning, the domes of both upper-midrange units were inexplicably damaged. As you can see from <a href="http://blog.stereophile.com/stephenmejias/damaged_domes/">the picture</a>, it appears the domes were poked by some sort of dull object. Wes didn’t do it; Wes’ wife didn’t do it. We’ll never know how the damage occurred. What we do know is that the aluminum-dome midrange unit is incredibly delicate and has a strong magnetic pull.

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The Proper Tool

Every job requires a specific tool and replacing the Vivid G1Giya’s midrange unit would take a 6mm hex key, which we didn’t have. On our way to Wes’ place, therefore, John Atkinson and I made a quick stop at the local hardware store and purchased a hex key set. Then, we were ready to get to work.

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