The premise: bringing a second pair of loudspeakers into your auditioning room upsets the sound of the pair you're listening so badly that the first speaker's ability to correctly reproduce the timbre of musical instruments is destroyed. This observation is almost surely correct.
This is unquestionably the best recording Telarc has done to date. It is almost impossible to fault. If I were to pick nits, I would complain about a slight lack of air in the strings. The rest is, simply, superlatives!
Having not too long ago reviewed the $1499 AKG N90Q and finding it an astonishingly cool and effective noise canceler, I thought it would be interesting to look at what AKG was doing way down the food chain at a more affordable price. Thing is $300 is still $300, and in my book a pretty serious purchase. A $300 headphone needs to be good and competitive. Let's see if AKG managed to pull it off.
This review features the KST-100 stereo power amplifier. Initially this product was differentiated from the more expensive Krell components by having an all-black livery. However, as customers showed a preference for Krell's traditional anthracite finish, the KS series is now also available in this finish.
Oh boy. The folks at Massdrop have gone and done it again. Just got their new Massdrop x HiFiMAN HE4XX in for measurements and a quick listen before the drop.
This is a gorgeous recording. And would you believe, it's multi-miked? Sheffield's first since 1975, according to the notes. Ms. McBroom has that purity of intonation that once distinguished Julie Andrews' voice. This, plus a predominantly-string backup orchestra delivers a rich, warm sound. Each of the songs here is a gem in its own right, and the collaboration of McBroom and Mayorga creates moments here that are magical. My favorite is the song entitled "Amanda," with its frontier flavor and unadorned lyrics, followed by Mayorga's'waltz, "Wistful Lady."
It's customary to think of "the tube sound" as being warm, rich, weak through the deep bass, fat through the midbass, forward through the midrange, bright through the middle highs, and soft at the extreme top, with superb rendition of depth and spaciousness. The "solid-state sound," by contrast, is generally thought to be cool, detailed, and pristine, with powerful deep bass, controlled midbass, rather reticent (laid-back) midrange and mid-highs, and a somewhat crisp high end, with variable (roulette-style) reproduction of depth and spatiality.