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Jason Moran: The Rauschenberg of Jazz

Jason Moran finished a week at the Jazz Standard in New York City last night and confirmed his standing, at age 32, as <I>the</I> jazz pianist of our times. A few years ago, I saw Moran playing in duet at Merkin Hall with Andrew Hill, one of his mentors, more than twice his age. Afterward, a friend of mine, a trumpeter just a little older than Moran, made a sharp observation about their respective generations: Hill, a leading avant-gardist from the ‘60s then undergoing a renaissance, played in one style, his style; Moran played in many styles, all styles. Though he didn’t put it in these terms, Hill (who recently died of cancer) was the jazz equivalent of an abstract expressionist painter (say, Franz Kline or Robert Motherwell), while Moran is the supreme post-modernist (say, Robert Rauschenberg) who appropriates everything around him, including ready-made objects, and somehow makes it all his own.

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Harry Potter and the Death of Reading

Personally, I've enjoyed the Potter books finding the themes more archetypal than "derivative," but <I>chacun &#225; son go&#251;t</I>, ya know? What I found interesting about Ron Charles' rant was this pithy argument: "We're experiencing the literary equivalent of a loss of biodiversity." In 1994, according to a Stanford survey, over 70% of fiction sales were from just five authors.

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