The trend toward smaller, less imposing systems is continued at SSI by Verity Audio, showing their gorgeous Parsifal Ovation Monitor ($9000/pair). While <a href="http://blog.stereophile.com/ssi2009/simaudio_reaching_for_the_moon/">Si… and Dynaudio</a> were showing what can be achieved at the lower end of the price scale, Verity, Nagra, and dCS put together a room-friendly system made to slay giants.
At the 2008 FSI, the hornloaded Avantgarde speakers from Germany were being demmed in one of the large rooms in the Centre Sheraton's downstairs convention area. At the 2009 SSI, Avantgarde were exhibiting in a conventional hotel room, but the three-way Duo Grossos ($37,500/pair), driven by Avantgarde Model One monoblocks and an Avantgarde Model One preamplifier, with an Audio Aero Prestige SACD player as source and all Nirvana SX cabling, sounded more coherent than I remember from last year's Show. Playing "The Mooche" from the Stereophile <I>Editor's Choice</I> CD, I was struck by how <I>un</I>-hornlike the system sounded: uncolored, sweet, full-range, but with the excellent dynamics I have come to expect from horns. The upper bass was a bit over-generous at first, but adjusting the crossover of the active B231 woofer, which uses two 12" drivers, took care of that.
Lucien Pichette stands with the Avalon Acoustics Aspect ($8500/pair), introduced at <a href="http://blog.stereophile.com/ces2009/aspects_of_avalon/">January's CES</a>. Here in Montreal, the Aspects were creating soul-stirring sound in the <a href="http://blog.stereophile.com/ssi2009/coup_de_foudre/">Coup de Foudre</a> room.
This is my first time attending a Montreal hi-fi show, and so it makes sense that I would make some new acquaintances. It is a pleasure to meet Graeme Humphrey and Danny Labrecque of Coup de Foudre, a pretty sweet looking hi-fi shop in Montreal. Here Graeme and Danny assume a sort of pirate-gangster pose. They appear pretty tough, but they're actually quite gentle.
All right, so maybe I should have followed the recommendation that passengers should get to the train station at least 30 minutes before departure. But, really, does anyone but terminally obsessive-compulsive individuals do that? The train going from Toronto to Montreal was scheduled to leave Toronto at 9:30am. I was planning to be at Union Station in Toronto by 9:15. But with this and that, and delays here and there, when I got to the Via Rail ticket office to exchange my computer printout for the actual ticket it was 9:29 by their clock.
I know it's only the first day and I've hardly listened to any music, but my Best Music of Show Award goes to the Tone Imports/DeVore Fidelity/Box Furniture Co./Clearaudio room. I doubt there'll be any other suite at SSI where you can hear Q-Tip's <i>The Renaissance</i> followed by some radically bad-ass, virtuoso tabla.
You would never guess that just moments before the photo was snapped, Tone Imports' Jonathan Halpern was bent over, purple-faced, and teary-eyed with delirious laughter. I'm not sure what it was all about. It had something to do with "championship wood."
It was a pleasure to finally meet <i>Stereophile</i> <a href="http://forum.stereophile.com/forum/ubbthreads.php">forum</a> member, KBK, also known as, Ken Hotte. If you think he looks a little crazy here, you should read his forum posts.
Dynaudio's Mike Manousselis introduced me to the OCOS (Optimal COnnection System) coaxial, copper speaker cables ($500/3m pair). OCOS insists that a speaker cable should be completely transparent, imposing no sonic signature of its own. Manousselis explained that the cable provides a constant impedance throughout the entire frequency range, so as to stabilize the partnering amplifier, allowing it to "see" the speaker directly.
Dynaudio's Michael Manousselis palms the Excite X12 loudspeaker ($1200/pair).