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CH Precision and Audiovector with TechDAS at High End Munich 2025
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Spiral Groove SG2 turntable

Photograph: TONEAudio Magazine

High-end audio exists at the intersection of art and science. Either discipline can produce a good product, but it takes both to create the very best. The Sonic Frontiers gear I auditioned many years ago, for example, was technically sound, nicely built, and sounded good—just never as sublime as products from, say, Audio Research or VTL. On the other hand, an experienced, insightful designer such as Quicksilver's Michael Sanders can create wonderful products from humble circuits and parts, but be ultimately limited by the underlying technology. But when brilliant design, uncompromised execution, long experience, and artistry all come together, the results can be staggering.

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A Child That's Grown Old

I’m on the N train heading to Manhattan from Bay Ridge and there’s a fat Mexican baby in a dull red stroller. She is screaming her heart out. I’m trying to read an article in <i>New York</i> magazine recommended to me by a co-worker, but I don’t think I’ll make it to the end. I’ve read enough about addiction to know how ugly it can be; I don’t want to live through it again.

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A Scotch Summer Mixtape

I’ve told you a bit about my favorite cassette label, Al Bjornaa’s <a href="http://blog.stereophile.com/stephenmejias/why_cassettes/">Scotch Tapes</a>, out of Batchawana Bay, Ontario, Canada. In <a href="http://www.imposemagazine.com/features/scotch-tapes-label-sampler">this Impose article</a>, Al goes into more detail, explaining how he built the label, and revealing some of his big plans for the remainder of the year, which include 60-70 new tapes, 4-5 vinyl releases, approximately 20 lathe cuts, a dozen zines, a couple of 8-tracks, and a monster summer compilation. (You can also download a Scotch sampler.)

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Stan Getz & Kenny Barron

A trend of sorts has taken hold the past few years: albums (in most cases, multi-disc boxed sets) capturing not just the highlights of a jazz concert but the whole concert—or a whole week’s worth of concerts, the entire run of a gig at a nightclub—every note of it.

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The First Annual Collect-i-Bowl Record Show

At this moment in time, there’s honestly no way I can justify spending more money on sweet, wonderful, soul-stirring vinyl records. I just can’t do it. I have bills to pay. I have records at home that I haven’t listened to yet. I have laundry to do and groceries to buy. But, damn, am I tempted to go to the First Annual Collect-i-Bowl Record Show at <a href="http://www.brooklynbowl.com/">Brooklyn Bowl</a> this Sunday.

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iPad Daze

"Reviewed in the box!" is what <I>Stereophile</I>'s founder, the late <A HREF="http://www.stereophile.com/news/j_gordon_holt">J. Gordon Holt</A>, used to call it. You might think you're reading a review, but the realization slowly dawns that there's nothing in the text that could not have been gleaned from the manufacturer's brochure, nothing to indicate that the writer had even opened the box the product came in. When I read a review in another publication or online, I judge it by doing what I recommend <I>Stereophile</I>'s readers do when they read <I>this</I> magazine: I look for the nugget I <I>didn't</I> already know, the facet I <I>wasn't</I> expecting, the concluding jewel I <I>couldn't</I> have predicted without ever having tried the component myself. Sadly, all too often too many of what are promoted as "reviews" on the Web are merely descriptions.

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