LATEST ADDITIONS

Sly and the Family Stone: Live at the Fillmore East, October 4th & 5th, 1968
Epic 88843023712 (4 CDs). 2015. Sly Stone, orig. prod.; Bob Irwin, reissue prod.; Vic Anesini, mastering. AAD? TT: 3:27:31
Performance *****
Sonics ****

The first thing you hear is not Sly Stone's keyboards or harmonica. Not Freddie Stone's guitar. Not Greg Errico's amazing drumming. Not Larry Graham's slapping bass. Not the voices of Rose Stone (also keys) and Cynthia Robinson (also trumpet). Not Jerry Martini's saxophone.

No. The first thing you hear is pure energy: the nuclear reaction of musical power that Sly and his Family Stone generated onstage on two October nights in 1968 at the Fillmore East. James Brown and his band(s) had nothing on these seven. This is prime Sly, when the band was still hungry, before the hits, before his life spun out of control, the music suffered, and the family split.

High-end audio dealer Audio Den of Long Island (2845 Middle Country Road, Lake Grove, NY 11755) is hosting a music evening Friday, July 24, 5:00–8:00pm, to launch Technics' new Premium and Reference series integrated amplifier, network player, and speakers in North America.

On Wednesday, July 22 (Raleigh) and Thursday, July 23 (Pineville), 5–9pm, Audio Advice (8621 Glenwood Avenue, Raleigh; 11409 Carolina Place Parkway, Pineville) will host its annual Digital Living event, while on Friday, July 24, 6–8pm, Vintage King Audio (2826 Dogwood Place, Nashville) will host an evening seminar with AudioQuest's Steve Silberman, focusing on the tools and resources needed to turn a computer into a true high-resolution music source.

Paradigm is not a new name to US audiophiles, but the Canadian loudspeaker company hopes to increase awareness of its products with their Monitor series, all members of which incorporate a similar design philosophy and drive-units. Heavy and apparently massively constructed, the top-of-the-line Paradigm Studio Monitors ($1899/pair) are the first commercial loudspeakers to pass my way with provision for tri-wiring: three sets of terminals on the back of the enclosures provide direct links to the crossover segments feeding each separate driver (or drivers, in the case of the low end).

Those crossovers use quasi-Butterworth filters, but there is, by design, little attempt to correct for driver aberrations in the crossover, a technique which Paradigm does not believe produces the best results. The wood-veneered cabinet is solidly constructed, making use of a combination of high-density composite hardboard and MDF—a technique claimed to reduce uncontrolled resonances. MDF cross-bracing is provided, and four heavy-duty spikes are furnished per speaker. (I used Tonecones in my listening for the simple reason that three spikes are self-leveling, four are not.)

A recent experience with two excellent loudspeaker systems and two of the top power amplifiers raised a question that has been cropping up more and more frequently these days: When one component sounds more toppish or more bassy than another, which one is really flat and which isn't?

The question arose this time in connection with some listening tests on a pair of FMI 80 speakers and a pair of IMF Monitor III speakers, using Audio Research Dual 75 and Crown DC-300A power amplifiers.

Ayre's 20th-Anniversary edition of its MX-R monoblock stands proud on this 132-page issue's cover. Inside, John Atkinson finds it to be one of the best-sounding amplifiers he's auditioned, while Fred Kaplan enthuses over the sound of Simaudio's Moon Evolution 860A amplifier and Jon Iverson finds much to enjoy with Rega's affordable DAC-R. Loudspeakers from Wilson Benesch, Falcon, and Magnepan are reviewed, with the littlest, cheapest Maggie earning the highest praise from Herb Reichert.

Alma Music and Audio (5759 La Jolla Blvd., La Jolla, CA 92037) will host a very special event on Saturday, July 18 and Sunday, July 19 at their retail showroom just north of San Diego. A host of audio luminaries will be there to demonstrate their products and answer questions including Dan D'Agostino of D'Agostino Master Audio Systems, Yoav Geva of YG Acoustics, Joe Kubala of Kubala-Sosna cables, Vince Galbo of MSB Technology, and Harry Lee and Sally Jeung of Aurender.