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The Vandersteen 3A is a higher-end variation on the theme established by the company's first loudspeaker, the 2C. The latter is still available, though much updated into the current, highly popular 2Ce. A four-way design, the 3A has separate sub-enclosures for each drive unit; the whole affair is covered with a knit grille-cloth "sock" with wood trim end pieces. A rear-mounted metal brace allows the user to vary the tiltback—an important consideration for best performance with this loudspeaker.

Let's say you play a CD on a poor-quality CD transport and store the digital audio data in a massive computer memory. You then repeat the process, but this time play the CD into the memory from the finest CD transport extant (say, the Mark Levinson No.31). A week later you feed the two sets of data from the massive memory into a digital processor and listen to the music. Would the CD transports' sonic signatures be removed from the signal? Could you hear a difference between the transports a week later?

<B>EDUARDO PANIAGUA GROUP: <I>Danzas Medievales Espa&#241;olas</I></B><BR> Eudardo Paniagua, flautas de bisel, nay, fujara, psalterio, tromba marina, darbuga, tar, c&#237;mbalos, caraqueb, cascabeles; Cesar Carazo, canto, viola de brazo; Wafir Sheik, la&#250;d &#225;rabe, darbuga, pandero, sonajero; Jaime Mu&#241;oz, axabeba, kaval, chalumeau, dulcimer, sonajas; Enrique Almendros, flautas de tres agujeros, gaitas, gaita charra y tamboril, tar, c&#237;mbaols, campanas; Luis Delgado, zanfona, la&#250;d, dutar, vihuela de p&#233;&#241;ola, santur, fujara, c&#225;ntara, darbuga, zarb, bendir, pandera, tambor, tar<BR> M&bull;A M034A (CD only). Todd Garfinkle, prod., eng. DDD. TT: 72:05

<B>CASSANDRA WILSON: <I>New Moon Daughter</I></B><BR> Cassandra Wilson, vocals; Brandon Ross, guitars; Kevin Breit, guitars, banjo, Irish bazouki; Charlie Burnham, violin; Lonnie Plaxico, bass; Dougie Bowne, drums; others.<BR> Blue Note CDP 8 32861 2 (CD only). Craig Street, prod.; Danny Kopelson, eng. TT: 61:59

While large, floorstanding speakers appear to offer the most material for the buck, I feel that small stand-mounted speakers both offer the best value in sound quality, as well as standing the best chance of sounding good in moderate-sized listening rooms. In recent months <I>Stereophile</I> has reviewed a varied group of such speakers. In order of descending price, these include the Acoustic Energy AE2 Signature ($5495/pair, November '95); Dzurko Acoustics Jaguar ($4500/pair, reviewed elsewhere in this issue); <A HREF="http://www.stereophile.com//loudspeakerreviews/462/">Totem Mani-2</A> ($3995/pair, February '96); Platinum Audio Solo ($2498/pair, November '95); Coincident Speaker Technology Troubador ($1495/pair, January and February '96); <A HREF="http://www.stereophile.com//loudspeakerreviews/615/">Joseph Audio RM7si</A> ($1299-$1499/pair, February '96); <A HREF="http://www.stereophile.com//loudspeakerreviews/445/">Acarian Al&#243;n Petite</A> ($995-$1195/pair, January '96); Phase Technology PC80 II ($699/pair, December '95); and Spectrum 108cd ($399/pair, December '95).

Some folks claim to have actually seen the legendary Bigfoot, the enormous, manlike beast said to roam the backwoods of the Pacific Northwest. Others have stood in his footprints or plucked foul-smelling patches of hair from trees he has recently passed. A few have gotten close enough to take vague snapshots or shaky video clips of the beleaguered creature. One or two attest to frightful chance encounters with him. His size alone has given rise to rumors that he is dangerous, but no firm evidence has ever been produced to substantiate this.

Like most audiophiles, I salivate over the latest Jurassic, second-mortgage-inducing power amplifier. Whether it's about the music itself, or simply "my amp is bigger than your amp" one-upmanship, we all know that those who risk a hernia in pursuit of the ultimate in sound invariably come out winners.