LATEST ADDITIONS

<B>ORCHESTRE NATIONAL DE BARB&#200;S: <I>Orchestre National de Barb&#232;s</I></B><BR> Larbi Dida, vocals; Youcef Boukella, vocals, bass; Aziz Sahmaqui, vocals, percussion; Fateh Benlala, vocals, mandolin; Fathilla Ghoggal, Olivier Louvel, guitar; Alain Debiossat, soprano sax; Toufik Mimouni, Jean Baptiste Ferr, keyboards; Ahmed Bensidhoune, bendir, darbouka; Kamel Tenfiche, vocals, percussion; Karim Ziad, karkabous; Michel Petry, drums<BR> Tinder 42853192 (CD). 1998. Tajmaat, Djilali Aichioune, prods.; Luis Saldanha, Antoine Illouz, Delphine Presle, engs. AAD? TT: 78:33<BR> Performance <B>*****</B><BR> Sonics <B>****</B>

Paradigm's acquisition of Sonic Frontiers, Inc. is only the first step in salvaging the highly regarded brand, according to Bill VanderMarel, Paradigm's Director of Sales and Marketing. The next step will involve infusions of serious amounts of cash to expand the present network of dealers and to develop new products under the new Sonic Frontiers International banner---an amount VanderMarel expects will run as high as two or three times the purchase price of the temporarily defunct Ontario maker of high-end audio electronics. "Paradigm recognizes the necessity of such a sizable investment over the next 12 months to make a serious effort at revitalizing the name," he said.

When I compiled the votes HI-FI '98 attendees had cast for "<A HREF="http://www.stereophile.com/news/10239/">Best Sound at the Show</A>," the ultimate winner was the room and system assembled by Los Angeles retailer Christopher Hansen 2---the latest Evolution 2 version of the mighty Martin-Logan Statement electrostatic speaker system, driven by multiple VTL Wotan two-chassis tube monoblocks. Cabling was Cardas Neutral Reference, and the digital front end was by Wadia---a 270 CD transport and the new 27<I>i</I> digital decoding computer---with some tonal shaping courtesy of a Z-Systems Transparent Tone Control. Component stands were from pARTicular.

In the September 1998 installment of "Fine Tunes," I wrote about the benefits of using nearfield listening to minimize your room's effect on the sound of your system. What you hear at the listening position should be first-arrival sounds from the speakers rather than chaotic reflections—in-phase and out—from the room. Allen Perkins of Immedia, importer of Audio Physic speakers, has written a white paper entitled "Principles and Techniques of Speaker Placement." It's provided to all purchasers of Audio Physic speakers. Essentially, it's a primer on nearfield loudspeaker placement (footnote 1).

A great audio system is nice, but there's nothing like the real thing to remind us of why we love music.

Hilary Rosen, president and CEO of the <A HREF="http://www.riaa.com">Recording Industry Association of America</A> (RIAA), must feel like Sisyphus playing an endless game of "<A HREF="http://www.xvt.com/users/kevink/mole/">Whack-A-Mole</A>.&quot; Her job recently has been to patrol the digital world for music copyright violators, especially those pesky pirate MP3 websites on the Internet. It seems that each time they find and eradicate a horde of copyright violators, hundreds more pop up faster than you can say "information wants to be free."

Last week, <A HREF="http://www.usadr.com">USA Digital Radio</A>, a partnership formed in 1991 with <A HREF="http://www.cbs.com">CBS Corporation</A> and Gannett Co. Inc., announced the filing of a Petition for Rulemaking with the Federal Communications Commission (FCC) seeking to permit digital radio broadcasting using In-Band On-Channel (IBOC) technology. The petition begins the process of acceptance of the USA Digital Radio IBOC system as the DAB transmission standard for the United States. According to a statement from Digital Radio, "the IBOC technology being developed by USA Digital Radio offers the most comprehensive digital radio transmission solution in history, and represents the most exciting change in broadcasting since radio's invention over 70 years ago."