Kalman Rubinson

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Kalman Rubinson  |  Sep 21, 2004  |  First Published: Sep 01, 2004  |  0 comments
My experience at last May's Home Entertainment 2004 East confirmed that even a big cheerleader for discrete, high-resolution multichannel music must be realistic about the vast heritage of two-channel recordings, which will dominate collections for years to come. Although we can enjoy these recordings with a good stereo system, a multichannel system can offer options that give them new life without superimposing false and disturbing directional effects or smearing the two channels around and behind the listener.
Kalman Rubinson  |  Aug 09, 2004  |  0 comments
McIntosh Laboratory unveiled for the press three new products that they will be showing at CEDIA next month. They are the MX135 A/V Control Center (already shipping), the MVP861 Universal Player, and the MC207 7-channel Power Amplifier, all with McIntosh's signature design and cosmetics.
Kalman Rubinson  |  Aug 08, 2004  |  First Published: Jan 01, 1998  |  0 comments
Recently, we've seen the digital "horsepower" race accelerate with the arrival of digital sources and devices with 24-bit and 96kHz sampling capability. Much of this has been spurred by the 24/96 labels emblazoned on the newer DVD players—and, within the purer confines of the audio community, by high-end DACs with this same ability. Indeed, it's possible that the dCS Elgar DAC, near and dear to John Atkinson's heart and a perennial Class A selection in Stereophile's "Recommended Components," performs so well with standard 16-bit/44.1kHz sources because its wider digital bandwidth permits greater linearity within the more restricted range of regular CDs.
Kalman Rubinson  |  Aug 08, 2004  |  First Published: Jan 01, 1999  |  0 comments
Recently, we've seen the digital "horsepower" race accelerate with the arrival of digital sources and devices with 24-bit and 96kHz sampling capability. Much of this has been spurred by the 24/96 labels emblazoned on the newer DVD players—and, within the purer confines of the audio community, by high-end DACs with this same ability. Indeed, it's possible that the dCS Elgar DAC, near and dear to John Atkinson's heart and a perennial Class A selection in Stereophile's "Recommended Components," performs so well with standard 16-bit/44.1kHz sources because its wider digital bandwidth permits greater linearity within the more restricted range of regular CDs.
Kalman Rubinson  |  Jun 28, 2004  |  0 comments
The NHT Xd DSP powered speaker demo was held at the Plaza Hotel in New York City last week and representatives from NHT and its supporting cast, DEQX and PowerPhysics, opened by explaining the philosophy behind the new product and the essential components they each contributed (also see previous).
Kalman Rubinson  |  Jun 19, 2004  |  First Published: Jun 01, 2004  |  0 comments
When PR guy Adam Sohmer first told me about the Fosgate Audionics FAP V1, I thought that the impressive-looking device would be the first all-tube preamp-processor—heck, the first tube anything—in my multichannel system. Then I looked closer at the user's manual I'd downloaded from Fosgate's website. Hmmm. No Dolby Digital, no DTS—just Dolby Pro Logic. Of course, the FAP V1 is Jim Fosgate's signature expression of Dolby Pro Logic, and I guess that counts for something. But the more I thought about it, the more interesting a prospect the FAP V1 seemed.
Kalman Rubinson  |  May 22, 2004  |  First Published: May 01, 2004  |  0 comments
As noted in the March installment of "Music in the Round," there are so many new multichannel hardware goodies to talk about that we need this bonus appearance of the column just to keep up. Nor do I expect the rush of gear to stop—I've just returned from CES in Las Vegas, where there was lots of new multichannel hardware and software that I will report on in June, including a luscious all-tube analog multichannel preamp. This month I report on a universal disc player, a comparison of Sony's top-of-the-line SCD-XA9000ES multichannel SACD player with its respected predecessor, and a multichannel preamp that's almost too good a deal.
Kalman Rubinson  |  May 16, 2004  |  First Published: May 01, 2004  |  0 comments
Without having intended to, I seem to have collected several "statement" products. I've already reported on the Weiss Medea and Theta Digital Generation VIII digital-to-analog converters. I saw and expressed interest in the Nagra DAC at the 2002 Consumer Electronics Show, when prototypes of it were shown along with a forthcoming multichannel version, the Nagra Digital Audio Processor (DAP). The two units are based on the same chassis and interface, the DAP including additional modules and processing.
Kalman Rubinson  |  Apr 11, 2004  |  First Published: Jun 01, 1999  |  0 comments
Usually, I review a component after it has impressed me at a show or in a store. Though this approach reduces the possibility of a bad review—I pre-select based on real experience—it does not minimize the possibility of disappointment. This makes me a sort of stand-in for the consumer who would like to take something home for a real shakeout, and only then decide to buy it or send it back.
Kalman Rubinson  |  Mar 28, 2004  |  First Published: Mar 01, 2004  |  0 comments
For audiophiles who love multichannel music, the center-channel speaker is a problem second only, perhaps, to that of bass management. In many ways, the rerouting of bass to a subwoofer or to the front left and right main speakers is dictated by room acoustics or the bass limitations of the other speakers. On the other hand, most of us had no real need for a discrete center-channel to fill in the middles of our traditional stereo systems. In fact, one of the glories of really good stereo is the simulation of a convincing central image, such that there's a seamless soundstage from beyond one speaker, across the room, to beyond the other speaker.

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