Michael Fremer

Ayre Acoustics K-3 preamplifier
Solid State Preamp Reviews
Michael Fremer  |  Sep 01, 2020  |  First Published: Jul 01, 1998
The challenge for Ayre's Charley Hansen was formidable. Having already designed a world-class preamplifier—the highly acclaimed $7100 K-1 (see Wes Phillips' review in March 1997)—Hansen set out to offer audiophiles "80 to 90%" of the K-1's sound and build quality at a price more of them can afford. Not that the new K-3 is a piece of "budget" gear. It's not. But at $4500, the fully loaded K-3, complete with phono section and remote control, is within reach of many.
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Analog Corner #297: van den Hul The Grail SE+ phono preamplifier & SAEC WE-4700 tonearm
Analog CornerPhono Preamp ReviewsTonearm Reviews
Michael Fremer  |  Aug 31, 2020  |  First Published: May 01, 2020
The catastrophic February 6 fire at the factory where Apollo Masters produced LP-mastering lacquers—flat aluminum discs covered with nitrocellulose lacquer—will be old news by the time this column gets to you, but the repercussions of the loss will be ongoing for at least the next year and probably beyond.
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Analog Corner #301: WallyTractor, StylusTimer, Fuuga, Tzar DST
Analog CornerPhono Accessory ReviewsPhono Cartridge Reviews
Michael Fremer  |  Aug 19, 2020
How goes your quarantining? Honestly, my life hasn't changed much here. I'm locked in the basement as usual, happy to have a good audio system and overwhelmed by my musical choices. Other than minimizing shopping expeditions and wearing a mask, the biggest change in my life is a spike in requests from readers for upgrade advice. I've never been so busy answering reader emails.
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AMG Viella Forte turntable and 12JT tonearm
Tonearm ReviewsTurntable Reviews
Michael Fremer  |  Aug 14, 2020
German engineering acumen and machining excellence—acknowledged and admired worldwide—are nowhere to be seen on AMG's flagship Viella Forte turntable and new 12JT tonearm. That's because, while what's on the surface is cosmetically and mechanically well-turned, the design features and precision engineering that set AMG's turntables and tonearms apart are inside and hidden from view.
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Analog Corner #298: Reed Muse 1C turntable and 5T tonearm
Analog CornerTonearm ReviewsTurntable Reviews
Michael Fremer  |  Aug 11, 2020  |  First Published: Jun 01, 2020
At the 2017 Hong Kong High End Audio/Video Show, I found myself sitting next to a turntable manufacturer who shall remain anonymous. A Reed Muse 3C turntable ($20,000) with 3P tonearm sat on a display table across from us.
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Analog Corner #299: Haniwa HCVC01, CAD Ground Control, DS Audio Vinyl Ionizer-001
Analog CornerPhono Accessory ReviewsPhono Cartridge Reviews
Michael Fremer  |  Aug 04, 2020  |  First Published: Jul 01, 2020
Lately, current amplification–based moving-coil phono preamplifiers have gotten a great deal of well-deserved press. For years, Haniwa's Dr. Kubo has been designing and selling super–low-internal-impedance cartridges because such cartridges work best with such devices. He has also been designing and selling his own current-amplification phono preamplifier.
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Analog Corner #300: Boulder 2108, Consolidated Audio Monster Can
Analog CornerAudacious AudioPhono Preamp Reviews
Michael Fremer  |  Jul 14, 2020  |  First Published: Aug 01, 2020
The two biggest sonic jolts I've experienced involving phono preamps were from two very different ones: the Petr Mares's Connoisseur 2.0 and Boulder's 2008, which was reviewed in the July 2002 Stereophile. The first was hand-built, single-ended, housed in a wooden case, limited to 100 units, and, when I got to hear it in the mid-1990s, cost around $6000, or about $10,000 in today's dollars. The other was a feature-laden, double-chassis monument to flexibility and surface-mount high technology. It featured beautifully finished, flush-mounted mirrored buttons your fingers just wanted to press.
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Von Schweikert Ultra 55 loudspeaker
Audacious AudioFloor Loudspeaker Reviews
Michael Fremer  |  Jun 19, 2020
Achieving room-filling, high-quality sound in a hotel room is difficult enough. Getting it in a cavernous ballroom is even more problematic. Yet, over the past few years at AXPONA, RMAF, and most recently at the February 2020 FLAX (Florida Audio Expo), Von Schweikert Audio, in association with The Audio Company of Marietta, Georgia, has managed that—and, other than the approximately 100 bodies occupying every seat in the house, they've done it without any room treatment, or without any that I could see.
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Audio-Technica AT-ML 150/OCC phono cartridge
Phono Cartridge Reviews
Michael Fremer  |  Jun 03, 2020  |  First Published: Jul 01, 1999
How can two meticulously built, high-technology, high-performance, premium-quality moving-magnet cartridges that measure so well (according to their manufacturer-supplied specs) sound so different?
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Shure V15 V-MR phono cartridge
Phono Cartridge Reviews
Sam Tellig, Anthony H. Cordesman, Michael Fremer  |  May 05, 2020  |  First Published: Sep 01, 1984
I was all set to give up on moving magnets until the new Shure VI5-VMR (MR stands for Micro-Ridge stylus) arrived. In a word, it's terrific. I was slightly disappointed with the original V15-V: I just didn't think it was a significant improvement over the Type IV. What I missed was fine detail—especially in the high frequencies and during heavily modulated passages. The original V was not quite up to the sound of certain moving coils. Which is not to say the original V was a bad buy: moving coils cost twice the price and you need a stepup. I could recommend the original V without hesitation.
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