Irregular Verbs
They get more regular over time.
They get more regular over time.
Slips, stumbles, and verbal blunders—an excerpt from Michael Erard's new book on slips of the tongue. Inspired by the Decider, by the way.
Some food scientists are saying that America's tastebuds aren't becoming more adventurous, they're <A HREF="http://www.boston.com/news/globe/ideas/articles/2007/10/07/some_like_it… out</A> as baby boomers age.
Yesterday's <I>New York Times</I> had a review of Robert Wyatt's new <I>Comicopera</I> by <A HREF="http://www.nytimes.com/2007/10/08/arts/music/08choi.html?_r=1&n=Top%2fR… Ratliff</A> that observed that it included "Brian Eno doing whatever it is that Brian Eno does." That sums up Squelchy's role about as well as it can be done.
A new research project highlights Archimedes' role in developing calculus.
Is a single gene—the so-called FOXKP2—the reason why only humans have language?
Yes, all of us chattering classes spent the weekend, um, chattering about Radiohead's shocker, but this article in <I>The Telegraph</I> may be the best I've seen. Its yearly sales breakdown and record company revenues charts provide some historical context.
Louis Armstrong's last LP was contemporary country music, He was asked if he was making a statement by recording what was then considered white, working class music. Silly question—Armstrong recorded with Jimmie Rodgers, after all.
On October 4, a federal jury in Duluth, MN found Jammie Thomas liable for copyright infringement, imposing a damages assessment of $220,000 ($9250 for each of 24 songs). It was the first jury trial resulting from the series of lawsuits the recording industry began in September 2003. Since most of those suits were settled out of court (average settlement: $4000) or defaulted, <I>Capitol Records v. Thomas</I> was the rare case to actually go to court and in front of a jury. It was interesting in ways other than its seemingly high damages.
Radiohead, whose last recording, <I>Hail to the Thief</I>, debuted at number three on <I>Billboard</I>'s top 200 chart in 2004, announced that its new recording, <I>In Rainbows</I>, will be available as a DRM-free download on October 10. The new twist, however, is that consumers can pay any amount they wish for it.