Where's the Outrage?
______ "who receive electric shocks carry the device around in a backpack and wear the electrodes 24 hours a day; some are also monitored at all times by at least one Rotenberg Center employee."
______ "who receive electric shocks carry the device around in a backpack and wear the electrodes 24 hours a day; some are also monitored at all times by at least one Rotenberg Center employee."
I love this stuff. If I was rich beyond dreams of avarice, I would so collect it.
<I>Living in Stereo</I> has promoted this Daniel Wolff essay on "Are You Lonesome Tonight?" since its publication in <I>Threepenny Review</I> in 1999. I read it on the occasion of Elvis' 72nd birthday and I agree that it's a fine piece of writing—and well worth linking to.
Forty years ago, <I>Bonnie and Clyde</I> blew away Hollywood's attitude about bloody violence. <I>The Observer</I> looks back.
First Netrebko's <A HREF="http://women.timesonline.co.uk/tol/life_and_style/women/the_way_we_live… placement tip</A>, now this.
Self would have never guessed that.
Digital Music Association (DiMA) and Sound Exchange (SX) announced on August 23 that they had reached an agreement to "cap the Internet radio '$500 per channel minimum royalty' at $50,000 per service, signaling the start of productive negotiations and bringing resolutions to three important music industry issues," according to DiMA's press release.
It has been a fraught week for Tweeter Newco LLC, the A/V specialty chain acquired by Shultze Asset Management in July. On August 17, the company trimmed its corporate staff by "half," approximately 80 staffers at the home office in Canton, MA. It was the second corporate re-structuring since January, when 20% of the corporate staff was laid off.
<I>Hint to recording engineers:</I> Anna Netrebko gives it to you in the second sentence of graf 8.
"I'm an abstract expression," Huckleberry boasts. "Bold, vivid, active—wait, what was that middle thing again?"