Wes Phillips

ERA to Music Industry: DRM Must Die

According to an article posted by <I>The Financial Times</I> November 20, Kim Bailey, the director general of the UK trade group Entertainment Retailers Association (ERA) is urging the music industry to drop digital rights management (DRM), saying that incompatible proprietary technologies, rather than preventing unlicensed copying, discourage sales of electronic files, "stifling growth and working against the consumer interest."

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CEA Cracks Down on "Journalists"

The Consumer Electronics Show (CES) has always been aimed at the electronics industry and the reporters who cover it. Other than a brief experiment with "open" days toward the end of the summer CES held in Chicago in the mid-1990s, the exhibition has never been open to the public.

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The Tape Project Ships First Title

As we <A HREF="http://www.stereophile.com/news/012907master/">reported</A&gt; last January, <A HREF="http://www.tapeproject.com">The Tape Project</A>, a collaboration among mastering engineers Paul Stubblebine and Michael Romanowski, both of Paul Stubblebine Mastering, and Dan Schmalle of Bottlehead, plans to release 10 master-quality tapes per year. The Tape Project's inaugural outing, available now, is <I>The Number White</I> by jazz vocalist Jaqui Naylor.

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