Corey Greenberg

Corey Greenberg  |  May 10, 2013  |  First Published: Oct 01, 1994  |  2 comments
I know, I know—"NOT ANOTHER $%#$ SONUS $%#$# FABER REVIEW IN $%#$# Stereophile!!" In just the past two years or so alone we've spilled a pretty fat bottle of ink on this Italian speaker line: Martin Colloms reviewed the $12,500/pair Extrema (Vol.15 No.6) and $9000/pair Guarneri Homage (Vol.17 No.7); Jack English covered the $4500/pair Electa Amator (Vol.15 No.10); and Larry Greenhill wrote about the $1800/pair Minima FM2 (Vol.16 No.4). That's a lotta jizzatoni, so let me tell you right off the bat that when I called Italy a few months ago, speakers were the last thing on my mind.

I wanted shoes.

Robert Harley, Corey Greenberg, Larry Greenhill, Thomas J. Norton  |  Nov 02, 2011  |  First Published: Jul 01, 1991  |  0 comments
I should begin this review by confessing that I've never been a fan of subwoofers. Most subwoofer systems I've heard have been plagued by a familiar litany of sonic horrors: poor integration between subwoofer and main speakers, boom, bloat, tubbiness, slowness, excessive LF output, and an overall presentation that constantly reminds the listener he is hearing a big cone moving. To me, subwoofers often sound detached from the music, providing an accompanying thump that bears little relationship to the sound from the main speakers. Rather than revealing the music's harmonic underpinnings, subwoofers often obscure them in a thick morass of featureless boom. In addition, adding a subwoofer often destroys the qualities of the main speakers that made you buy them in the first place—just to name a few of my observations (footnote 1).

Other than that, I like subwoofers.

Corey Greenberg  |  Jun 01, 2010  |  First Published: Dec 01, 1993  |  0 comments
If you asked me to name a single specific high-end audio component that could make or break a system, I'd name the Linn LP12 turntable. Of all the thousands of hi-fi products I've heard over the years, not a one of 'em—not a speaker, amplifier, or digital processor—has been able to draw me into the music, no matter what the associated componentry, like the LP12. I've heard the most highly regarded speakers/amps/processors fall flat in certain situations due to a lack of synergy with their surrounding systems, but I've never heard an LP12-based system that didn't put a smile on my face and make me green with envy.
Corey Greenberg  |  Nov 02, 2009  |  First Published: Oct 02, 1993  |  1 comments
Okay, here you are: You're a Real World music lover trying to sling together a Real World hi-fi rig. You gotcha budget-king NAD/Rotel/JVC/Pioneer CD player, your SOTA Comet/Sumiko Blue Point analog rig, and your cool-man NHT/PSB/Definitive Technology entry-level speakers. Hell, you've even gone out and bought a few pairs of Kimber PBJ interconnects to hook it all up. This ain't no dog and pony show—you want that High-End High, not just some cheap'n'cheerful, low-rez rig to stick in the rumpus room so the kids can listen to that weak-ass, faux-grunge, watered-down Hendrix-howl that modern-day wimp-boys like Pearl Jam dish out to anyone under 30 who doesn't know any better.
Sam Tellig, Corey Greenberg  |  Aug 31, 2009  |  First Published: Dec 31, 1987  |  0 comments
Sometimes products are too cheap for their own good, and people don't take them seriously: the Superphon Revelation Basic Dual Mono preamp, Rega RB300 arm, AR ES-1 turntable, Shure V15-V MR cartridge, and the B&K ST-140 power amp. They can't be any good because they cost so little, right?
Corey Greenberg  |  Dec 31, 2008  |  First Published: Jun 01, 1991  |  0 comments
SHIRLEY HORN: You Won't Forget Me
Shirley Horn, voice, piano; Charles Ables, bass; Steve Williams, drums. With: Miles Davis, trumpet; Buck Hill, trumpet; Branford Marsalis, tenor saxophone; Wynton Marsalis, trumpet; Toots Thielemans, harmonica, guitar; Buster Williams, bass; Billy Hart, drums
Verve Digital 847 482-2 (CD only). Richard Seidel, Joel Siegel, prods.; David Baker, eng. DDD. TT: 71:13
Corey Greenberg  |  Jul 13, 2008  |  First Published: Nov 13, 1993  |  0 comments
Stereophile should start a "Personals" section in the back of the mag—maybe stick 'em in with the classifieds:
Corey Greenberg  |  Jun 03, 2008  |  First Published: Jan 03, 1992  |  0 comments
THE COMMITMENTS: Original Soundtrack
MCA MCAD-10286 (CD only). Paul Bushnell, Kevin Killen, Alan Parker, prods.; Kevin Killen, eng. AAD. TT: 46:54.
Corey Greenberg  |  Mar 30, 2008  |  First Published: Feb 02, 1993  |  0 comments
"And I say panel speakers can't rock'n'roll—"
Corey Greenberg  |  Oct 07, 2007  |  First Published: Nov 07, 1994  |  0 comments
When I say that this past—and last—Summer CES in Chicago was dead daddy dead, I'm not talking about fewer high-end exhibits and attendees than ever before. I'm talking I walked in the front door of the Chicago Hilton and almost puked from that smell of dead, mealy meat that hits you in the face and kicks-in the gag reflex. The smell of death you can taste even if you're breathing with your mouth. In most religions, it's a sin to let something that dead just sit there without at least spreading some lye on it to kill the stink. I once cut a man for misadjusting the VTA on my cartridge, and that man lying on my listening-room floor with an Allen wrench still clenched in his hand wasn't as dead as this last SCES.

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