Katherine Whalen
<B><I>Dirty Little Secret</I></B>
<B><I>Dirty Little Secret</I></B>
The Seventies. That ancient lost era, that musical wasteland, the decade everyone (who doesn't know music) likes to rag on, continues to supply Madison Avenue with new and exciting fodder.
Walking to the train this morning I saw a woman who was a dead ringer for Sara Carter, wife of A.P. Carter, whose leaving to marry A.P.'s cousin Coy torpedoed the famous Carter Family.
Back when everyone was rushing to convert LPs to CDs, the boxed set was a wondrous thing. The rush to "box" every artist propelled the record biz to some of their best Christmas seasons ever. It even inspired some labels to get off their then wealthy asses and dig around the vaults to find that most marvelous of record label offerings, the "bonus track."
This just in:
Overheard (coming out of mine and other nearby mouths) at a tavern in Brooklyn:
<b><i>Country International Records</b></i><br>
Starfish Records<br>
I had a nice chat recently with Mark Berry, publicist for classical music’s Naxos label. Naxos, for those unfamiliar, is a label with one hell of a back story.
<B>DR. JOHN: <I>Mercernary</I></B><BR>
Blue Note 3 54541 2 (CD). 2006. Dr. John, prod.; Mark Bingham, eng. AAD? TT: 49:45<BR>
Performance <B>****½</B><BR>
Sonics <B>****½</B>
It's always bugged me. And now I have just the blog to spew about it in.