Robert Baird

Return to Analog's Pierre Markotanyos

The return of vinyl, which has stayed popular and profitable since its resurgence, has now developed a surprising nuance. Pierre Markotanyos, the owner of the reissue label Return to Analog and Montreal record store Aux 33 Tours (which refers to the speed at which an LP spins), has noticed a distinct change in the makeup of who's buying vinyl these days. "In the late 2000s," Markotanyos reflects, "it was mostly 55-to-70-year-old guys who were coming in, buying records to play on their high-end stereos that they bought at the audio show in Montreal." [Sound familiar, Stereophile readers?] "They were the purists and the true believers."
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Revinylization #60: The Butthole Surfers Wipe Out

Music's lunatic fringe drifts further out every hour. As it should. In this century, with computers playing an ever-larger role, music continues to fragment and become infinitely more varied. This splintering is either the essence of what keeps it relevant as an art form or something profoundly disturbing, to be hated and feared.

In the mid-1980s, few bands were as loved, despised, and misunderstood as the Butthole Surfers. The impulse to tread in unexplored borderlands of noise, studio blathery, live excess, indulgent nonsensicalness, and the urge to reconnoiter unheard sonics were all taken to heart by a nutty duo of Texans whose dulcet appellation was originally one of their song titles.

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Recording of December 2024: Faces at the BBC

Faces at the BBC, Complete BBC Concert & Session Recordings 1970–1973
Rhino R2726026 603497827824 (8 CDs/1 Blu-ray). 2024. Rob Caiger, prod.; Nick Robbins, Dave Corbett, engs.
Performance *****
Sonics ***½

The record business was awash in money and power. Vinyl LPs were still five bucks, and while the pressings could be suspect, the music-buying public still snapped them up en masse. Even in that world of gatefolds, inserts, and textured covers, Faces' Ooh La La remains an impressive sleight of hand. Made up of remnants from two other bands—The Small Faces and The Jeff Beck Group—the band's five colorful louts could have been musical world-beaters, but in the end were more interested in having a good time.

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Jenny Scheinman and her All Species Parade

Most of the provocative and charismatic popular music made today is an unclassifiable mixture—a hybrid of whatever styles, sounds, and instruments happen to move its creators. Violinist Jenny Scheinman not only composes multi-hued music that is singularly her own, but she lives in two very different musical worlds: the progressive world of jazz, and the more song- and tradition-based environs of Americana.

Scheinman's latest solo album, All Species Parade, released in October 2024 on the Royal Potato Family label, is a classic example of her unique vision and chameleon-like ability to blend seamlessly into disparate musical contexts, with nods to both jazz and Americana.

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Revinylization #59: Takin' it from the (ZZ) Top

Before the beards, before the fuzzy spinning guitars, before the "Legs" video, there was an electric blues trio, that little ol' band from Texas, ZZ Top. In five years in the 1970s, they made their finest albums and found their first success. They came, they conquered, and gargantuan blues riffs—not to mention the concept of the power trio—were never the same.

Anthologized and reissued many times since their release—Tres Hombres alone has been reissued on vinyl three times just since 2006—the band's first five albums have been reissued again in an impressive, limited-edition boxed set from Rhino called From the Top: 1971–1976.

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ReDiscoveries #8: Louis Armstrong in London

No jazz-centric visit to New York City is complete without a trek out to Queens. At 46th Street in Sunnyside stands the apartment building where famed cornetist Leon Bismark "Bix" Beiderbecke's alcoholism finally killed him in 1931. Farther out, in Corona, is the newly enlarged and expanded Louis Armstrong House Museum. The actual house Armstrong bought in 1943 and lived in until his death in 1971 is just the way it was when his fourth wife, Lucille, died there in 1983. The long white couches, bright blue kitchen cabinets, and wall-mounted reel-to-reel tape decks behind his desk in the upstairs den remain, all extraordinarily well-preserved. Just north of there, in Flushing Cemetery, you can visit Armstrong's grave.

Pops, as he was affectionately known by friends and fans, was an inveterate maker of scrapbooks and tapes of his music. By spring 1969, he had a pair of Tandberg reel-to-reel recorder/players up and running. One of his then-new treasures was a set of tapes made by the BBC from television broadcasts recorded the preceding summer. Music from those tapes—13 tracks in all, four for the first time ever—has just been released on CD, LP, and streaming, as Louis in London.

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