Now that Christmas has come and gone, and my need to hear Bobby Helms' "Jingle Bells Rock" has subsided — I'm not sure but I think it has something to do with those electric guitar flourishes—, it's seems an appropriate time to say something about the continuing and astonishing turmoil in the record business which according to most sources experienced a nearly 20 percent decline in sales of physical product compared with last Christmas.
"Cavalcade of merciless repetition," is how Jimmy Page described touring in the <I>Sunday Times</I> last week. I still say they're gonna tour but give them credit: they're being coy about being dragged into accepting all that cash.
Needless to say, I'm not in London waiting in line at O2 arena but that doesn't mean my thoughts, like those of about every other music fan on the planet, aren't turned to what's going to happen this evening when Led Zeppelin ends two decades of silence and lets it rip in what's being billed as a one-off show for charity.
"For decades the pursuit of high–-quality sound on high-end systems drove the recording industry, especially the classical music branch."
<B>BOB MARLEY: <I>Exodus: 30th Anniversary Edition</I></B><BR>
Island 314 586 408-2 (CD). 2007. Bob Marley & the Wailers, prods.; Karl Pitterson, eng.; Guy Bidmead, Terry Barham, asst. engs.; Chris Blackwell, Aston Barrett, Karl Pitterson, mix. AAD? TT: 37:18<BR>
Performance *****<BR>
Sonics *****
Before I even turn on the recorder, Willie Nile is telling me his theory of how the granite under Manhattan Island conducts electricity, which accounts for the perceptible charge that many people feel makes New York City so special. It's also what draws artists like flies, none more passionate than singer-songwriter Nile, who's personally contributed a few volts during his years in NYC.
There are many nights when being a music writer comes down to the whining about the stark question: why am I dragging my ass out on the town again? What reason do I really have to see this act? Or to see this act one more time?
The new Miles Davis <I>On The Corner</I> set, which Sony says is the last metal boxed chunk of Miles they're gonna release, ever, is also the most beautiful, ever. Like the LP which reached its finest, most completely perfected form just before CDs came in, the boxed set is reaching its zenith with this one. The funky characters from the original cover are now stamped into the metal casing into which the set, book and CDs combined slip into. It's the same setup that Sony’s been using since the beginning of what has proved to be colossal reissue program.
<B>Recording of October 2007: <I>This Is Somewhere</I></B><BR>
Hollywood D00038502 (CD). 2007. Grace Potter and the Nocturnals, prods.; Mike Daly, prod., asst. eng.; Joe Chiccarelli, eng.; Kennie Takahashi, Travis Huff, Tim Bright, Wayne Warnecke, Otto D'Angelo, asst. engs. AAD? TT: 48:34<BR>
Performance ****½<BR>
Sonics ****
Hopefully the Meg White (or not) sex tape dustup will not engender a drummer sex tape trend. There are a lot of skin pounders that I for one have no desire to ever see in the buff. The mental images alone are like taking a woodburner to your brain.