<B>Pat Metheny <I>Orchestrion</I></B><BR>
Pat Metheny, guitars, orchestrion programming.<BR>
Nonesuch 516668-2/-1 (CD/LP). 2010. Pat Metheny, prod.; eng. AAD? TT: 52:06<BR>
Performance ****<BR>
Sonics ****
The Grammy Awards are that one Sunday night every January, when for a few brief hours, I try to imagine what people on other continents (in not other planets) think of America when they watch this silly, frivolous, super glam display of Las Vegasness come to the Staples Center. How incredibly ridiculous we must look to the rest of the world. During the telecast, I’m liable to claim I’m from Canada. By the end, I want to take a shower and scrub off the sleaze. The whole thing is so bad, so not about music, that I have to change channels throughout the telecast if only to cleanse my palette. Last night at one point, I flipped over to the hi def Palladia network and there was a Britney video of her tune, “Womanizer,” which was nominated for a Grammy but lost to Lady Gaga. Owing to the fact that much of the video takes place in a sauna, with Brit writhing around nude (creatively covering her nasty bits), the contrast between Spears skin and the absolute nonsense that was goin’ on in L.A. made Little Miss Crazy look like the Academy of St. Martin in the Fields.
<B>CARLA BLEY: <I>Carla's Christmas Carols</I></B><BR>
Carla Bley, piano, celeste; Steve Swallow, bass, chimes; Partyka Brass Quintet<BR>
WATT 35 (CD). 2009. Carla Bley, Steve Swallow, prods.; Gerard de Haro, Nicolas Baillard, engs. DDD? TT: 60:36<BR>
Performance ****<BR>
Sonics ****½
When you’re old, you begin to read obits and relate to the ages of the dead. Like this from this morning: the great Teddy Pendergrass dead at 59 of colon cancer.
What a weird–assed juxtaposition it was. Freezing as hell outside, like 20 degrees with a stiff breeze, and a Zydeco band inside generating a sweaty mess. On top of that, a mysterious fever swept the place. The kind of fever, brought on by alcohol, that you have to sort of call Jazzfest fever. Anyone who’s ever been to the Jazz and Heritage Festival in New Orleans and gotten into the spirit of the thing can instantly reconnect with those feelings, once they have a few beers and hear some NOLA music, be it Cajun, Zydeco, funk or whatever. Hey, you have to hand it to Jazzfest, they’ve created a mojo that goes way beyond the music and creates wildly loyal fans, every festival should be so lucky.
John Hammond has always been a strange case. Son of the legendary record producer and scout John Hammond Sr. who worked with Billie Holiday, Bruce Springsteen, Bob Dylan and Leonard Cohen, young John who sang and played guitar staked out a difficult piece of musical turf when he decided to make playing acoustic Delta–styled blues on the National Steel guitar his signature move.
<B>Anouar Brahem: <I>The Astounding Eyes of Rita</I></B><BR>
Anouar Brahem, oud; Klaus Gesing, bass clarinet; Björn Meyer, bass; Khaled Yassine, darbouka, bendir<BR>
ECM 2075 (CD). 2009. Manfred Eicher, prod.; Stefano Amerio, eng. DDD. TT: 53:31<BR>
Performance ****<BR>
Sonics *****
I’d say on average that about 85 percent of the people I ask, hate Christmas music with an undying passion. I am one of a crazed minority who actually like the stuff and have long cultivated a collection of the stuff. Although I usually begin the season with the two volumes of <I>Billboard Greatest Christmas Hits</I>, both of which are now out of print (C’mon Rhino!), but are easily found used on Amazon, my general rule with Christmas music is: the weirder the better. And God knows when it comes to weird, Bob Dylan’s new collection of guttural holiday croakings is truly amazing.
There was fast food like Catalonian baguette pizza with chorizo. Tapas like flash fried baby squid or crispy potatoes with olive oil mayo and tomato sauce. And then of course there was that robber baron Rupert Murdoch and his damnable tabloid <I>The Sun</I> which every morning has a half–naked twentysomething smiling at you from page two! Danni, 23, from Coventry was my personal favorite. Yes, Europe does have its advantages!
And then there was the music, right, right, the music. A mini-theme of the 41st installment of the Barcelona Jazz Festival was the 50th anniversary of <I>Kind of Blue</I>. The idea, and it was an admirable one, was to turn three groups of musicians loose on Miles masterwork and then sit back and enjoy the contrasting approaches. Now that I’m back in the States and have had a few days to contemplate what I saw, it all sort of comes under the heading of: “The Mysterious Ways in Which a Musician’s Mind Works(?).” Or “Mamas Don’t Let Your Babies Grow Up To Be Drummers.”