Jon Iverson

Is There a Future for Hi-Rez?

Is there a future for high-resolution recordings? Why do so many people fail to hear a difference between them and ordinary CDs? Why do some purportedly high-rez discs sound so bad? What obstacles does the audio industry face in trying to make high-rez a commercial success?

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Download Duels

<I>Stereophile</I> readers may wonder why we regularly report on a low-fi music distribution service like iTunes. The reason is simple: What becomes popular in the mass market today, is what audiophiles will have to squeeze high-end music out of tomorrow.

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Hi-Rez DTS Added to Blu-ray & HD DVD

Last week we reported Dolby's <A HREF="http://www.stereophile.com/news/092704mlp/">announcement</A&gt; that varying versions of their audio technologies have been selected as "mandatory formats" for <A HREF="http://www.dvdforum.org">HD DVD</A> and <A HREF="http://www.blu-raydisc.com">Blu-ray</A&gt;. Significant for audiophiles is that MLP and high-resolution PCM audio will be available both as two-channel and surround formats on HD DVD.

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