Historically, radio stations have only partially cooperated with record label attempts to control when and where an important new record is first aired. It's not unusual for a new album or single to be "embargoed" until a specific date by the labels, with stations often competing with each other to find ways to get around this restriction and be first to air a hot new song.
There may be thousands of audio manufacturers around the world, but there are only a handful of ways for them to sell their products. These include your traditional bricks-and-mortar dealer network (everything from small audio boutiques to mass-market chains), the online or mail order retailer, direct sales via the Web or catalog, or direct sales via a company store.
As almost any <I>Stereophile</I> reader could <A HREF="http://www.stereophile.com/showvote.cgi?105">tell you</A>, if the record labels want to stem the rushing tide of big-time music piracy, they should consider starting with lower CD prices at retail. In other words, lessen the incentives that drive the illicit music market, and eliminate a sizable percentage of the problem overnight.
We've learned to pretty much ignore consumer electronics company announcements for their latest CD and DVD players/burners. The usual "breakthrough" turns out to be yet another faster record/playback speed bump, or a longer list of compatible formats (Panasonic's latest recorder, announced last week, can handle—take a deep breath—DVD-R, DVD-RAM, DVD-RW, CD-R, CD-RW, DVD-ROM, DVD-Video, DVD-Audio, and CD-ROM discs).
They have become the companies music fans around the world love to hate. But to their stockholders, the businesses developing CD-restriction technologies are a promising new technology niche for investing. <A HREF="http://www.sunncomm.com">SunnComm</A> is one of these new companies dedicated to finding means to restrict the ways consumers can use compact discs, and last week they used their annual stockholder meeting as an opportunity to announce their latest copy-protection product.
SACD partisans Sony and Philips continue to release new disc players that also decode DVD-Video, but not DVD-Audio. And arch-DVD-A supporter Meridian, as well as companies such as McIntosh, are releasing DVD-A and DVD-V players that don't do SACD. But there are exceptions, notably <A HREF="http://www.pioneerelectronics.com">Pioneer</A>, who debuted the first widely available "universal" player, the <A HREF="http://www.stereophile.com//digitalsourcereviews/515/">DV-AX10 SACD/DVD-A/CD player</A>, last year.
It's been a long wait, but we're finally starting to see high-bandwidth IEEE 1394 digital audio connections on the back of DVD-A/SACD players (see <A HREF="http://www.stereophile.com/news/11369/">related story</A>), as first <A HREF="http://www.stereophile.com/news/10049/">hinted at by Yamaha</A> five years ago. A key ingredient for getting the beleaguered 1394 (or FireWire or iLink) format moving was the inclusion of copy-protection protocols that restrict unfettered consumer use of the digital audio content.
There's no question that restricted-use or copy-protected CDs are finding their way onto retailer shelves and into unsuspecting consumer hands—often with <A HREF="http://www.stereophile.com/news/11341/">frustrating results</A>. What <I>is</I> in doubt in many consumers' minds is how to recognize a restricted-use disc before purchase.
The entertainment industry has been crying wolf about the impending death of its collective livelihood since the first recording device hit the market decades ago. In spite of those dire predictions, reel-to-reel tape decks, cassette recorders, and VCRs hardly dented sales, and may in fact have contributed to unprecedented world-wide growth.