Tom Fine

Audacious Audio Floor Loudspeaker Reviews

Bowers & Wilkins 801 D4 Signature loudspeaker

Tom Fine
Back in August, I received an email from Editor Jim Austin. Subject line: "Want to do a big review?" He had my attention. Jim wrote that he had visited Bowers & Wilkins parent company Masimo Consumer in Carlsbad, California, for a demo of the brand-new B&W 801 D4 Signature and 805 D4 Signature loudspeakers. (That visit was chronicled by Jim in the September 2023 Industry Update section.) B&W had offered Stereophile the first US review of both products—look for John Atkinson's review of the 805 D4 Signature in the coming months—and Jim thought the big 801s would be "right up my alley."

Indeed! The voice of my full-range system in the living room is a pair of B&W 808 speakers, ca late 1980s. The smaller-scale system at our house upstate features a pair of B&W 805 D2s. So, outside of my mastering studio, most of the music I listen to is through Bowers & Wilkins speakers. I am accustomed to and enjoy B&W sound and styling.

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Budget Component Reviews Stand Loudspeaker Reviews

Klipsch The Nines integrated loudspeaker system

Tom Fine
Do you remember your first really decent hi-fi system? It opened up your music, teased your brain with the possibilities of thrilling aural excitement, of dives to the bottom of the musical ocean. Perhaps it was all you needed, but more likely it was the beginning of a quest for your own ultimate sound-induced bliss.

That quest may be ongoing and never-ending, because our tastes and preferences evolve over time, money comes and goes, and we're simply never satisfied. And even if we are, eventually, we're audiophiles, and the industry always offers something interesting and new, or something old that's new again.

My time with a pair of Klipsch The Nines speaker-gadgets reminded me of the exciting, youthful bloom of my first serious sound system: a Technics SL-D2 turntable with Audio-Technica cartridge, a Philips 45Wpc receiver, and New Advent Loudspeakers.

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ReDiscoveries

ReDiscoveries #6: Old is New, The Beatles' Red & Blue

Tom Fine
The first Beatles music is more than 60 years old, and the group broke up 53 years ago. Yet they and their music remain relevant. So when Apple Corps announced "The Last Beatles Song," on October 26, the world's media ran with the story.

Beatles fans span at least four generations, and the group's promotion machine is looking to hook today's youth, and perhaps rekindle old flames, with 50th Anniversary deluxe reissues of the "Red" (1962-1966) and "Blue" (1967-1970) compilations. These expanded editions—12 new tracks on Red and nine on Blue, including the new-old single "Now & Then"—sport remixes performed since 2015.

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Revinylized!

Revinylization #48: When Duke met the Bean

Tom Fine
Saturday, August 18, 1962, was quite a day in music. In England, Ringo Starr made his first appearance as a full member of the Beatles, at a Horticultural Society dance at Port Sunlight, Merseyside. In Englewood Cliffs, New Jersey, two jazz giants met in a recording studio for the first time. Duke Ellington showed up with a streamlined, potent ensemble: Johnny Hodges, Harry Carney, Ray Nance, Lawrence Brown, Aaron Bell, and Sam Woodyard. Then tenor sax legend Coleman Hawkins arrived.

Ellington and Hawkins had never recorded together, so there was an atmosphere of energy and something grand and long overdue. Producer Bob Thiele and engineer Rudy Van Gelder stayed out of the way and let the music unfold while making sure not to miss anything. The result was a spectacular, loose, joyous, perfectly played album: Duke Ellington Meets Coleman Hawkins (Impulse! Records, AS-26, A-26 in mono).

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News

The Last Beatles Song (and Other News)

Tom Fine
The news zipped across the interwebs like lightning just after 9AM Eastern Time today (it went live here first). "Now & Then," a new-old song by The Beatles made with modern technology, bringing the band back together once more across time and space, will be released November 2. The evening prior, at 7PM London time, the BBC will broadcast "Now And Then – The Last Beatles Song," a short documentary directed by Oliver Murray, describing how the song was made. It will appear on the Beatles' YouTube channel at 8:30PM London time November 1, 3:30PM Eastern US time. There will also be a radio documentary about the song, produced by Beatles historian Kevin Howlett. The BBC today released the first 5 episodes of "Eras - The Beatles," a podcast hosted by actor Martin Freeman; episode 6 will drop November 2 (see https://www.bbc.co.uk/sounds/play/m001rzhw).

There's more: New 50th Anniversary expanded versions of 1962-1966 ("The Red Album") and 1967-1970 ("The Blue Album") will be released November 10.

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Stand Loudspeaker Reviews

JBL 4329P active loudspeaker

Tom Fine
Hi-fi is at a crossroads. One road takes us toward modernized versions of the gear we grew up with, stuff that has been around since the 1950s. The other road faces the future. While sometimes accommodating physical media, including vinyl records, that's not where that road leads. On that road, streaming is the norm, and equipment may be hooked up with traditional signal cables or with no cables at all, just GHz-range electromagnetic radiation, the digital kind. In the more extreme cases, the music may remain digital all the way to the amplifiers, which themselves are likely to be class-D.

I keep a foot on both paths, hoping they don't diverge so much that they split me in two. I've got a substantial collection of physical discs, black and silver, and I play them often. But I love the convenience of my network-attached storage (NAS) appliance, Qobuz, even lossy Spotify, especially when I want my world filled with music for hours with no thought or action on my part.

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Computer Audio Reviews Digital Processor Reviews Phono Preamp Reviews Solid State Preamp Reviews

Mytek Digital Brooklyn Bridge II Roon Core preamplifier

Tom Fine
The concept of streaming digital music files over distances great (as with internet-streaming services like Spotify, Qobuz, Tidal, etc.) and small (from a home-PC hard drive, NAS, or networked music server) became mainstream only recently. But it was already brewing during the late 20th century, with people illegally downloading low-bitrate MP3 files made from CD rips and coming close to killing the recorded-music industry.

That wasn't streaming exactly, or not in the current sense, because the files needed to be downloaded, stored locally, then either played out of a computer or loaded onto a portable player, but from that point forward it was a steady march to the streaming-dominated present.

Never mind Napster—the first subscription audio "streaming" service was one you probably wouldn't think of: Audible, the audio book service now owned by Amazon, which started up in 1995. I did beta testing and editing work for early-days Audible, and around that time, I started loading up home-ripped MP3 files on a pocket-sized Rio MP3 player (which by then had replaced Audible's proprietary player), using it in place of a portable CD player. This led to experiments with a PC music library/player running Linux, controlled by a Handspring PalmOS device connected to the stereo system via a Sound Blaster 16 card.

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