Ken Micallef

At the risk of giving these social media upstarts more attention, my old friend Jason Messina (aka The Audiophile Junky) could be found in the Popori/UniQue room, which is a funny thing. The only time I’ve seen Jason even close to being immobile—i.e., not making videos, which he does, hitting the ground running (I’ve seen it)—is at a show!

Angie Lisi of American Sound of Canada always presents desirable components—CAF2024 was no exception. This year, Lisi launched the North American debut of German-made Perpetuum Ebner turntables, the new Phasemation SA1500 integrated amp, new Avantgarde Colibri Series speakers and subwoofer, new Avantgarde Zero Itron speakers, and her exclusive line of Italian Synthesis Art in Music tube amplification.

This all-Infigo-meets-Alta room was bathed in Infigo Audio’s Hans Looman’s usual blue light glow, showering the room with the same mystical vibrations I heard from this room at some CAF long since past.

Harmonia Distribution brought a respectable system to CAF, including a Grimm Audio MU2 Media Player Streamer Preamplifier ($17,500), PrimaLuna EVO 400 Tube Preamplifier ($4995), and a product I raved about at Stereophile and continue to use, the PrimaLuna EVO 300 Hybrid Power Amplifier ($7195).

What’s in a name? Joe Finn of Timonium, Maryland’s Gramophone clearly knows the answer. He brought a compact system to CAF, one stocked with overachieving gear and equally ambitious cables, courtesy of AudioQuest.

This is the CAF room that all my audio running buddies and even non-buddies told me about: Songer Audio.

I strolled in and took a seat in front of a LampizatOr Atlantic 3 TRP DAC ($7325), an Innuos Statement Next-Gen Server & Streamer ($25,000), and Phoenix NET Network Switch ($4349). These components fed a Whammerdyne Heavy Industries DGA-Ultra 2A3 Integrated Amplifier ($5995). Whammerdyne Heavy Industries sounds like a Roadrunner cartoon company gone wrong, but I stayed put.

Adrian Ford-Crush manned the Audio Note (UK) room solo at CAF, though whispers circulated about the brand’s major domo Peter Qvortrup lurking in the crowd. Surprisingly, the usual Audio Note techno and classical blasts were replaced by soothing folk and jazz, a balm for weary show-goers.

Voxativ's Inés Adler and Christopher Owens are never caught dead empty-handed at shows. This puts me in a state of expectant glee, as their sound, regardless of genre, always resolves itself into something joyful. Even my neurotic hotel-hall dashes, pad and pen in hand, are washed away in Voxativ’s sonic tide.

Bill Voss of Technics was tardy to his Alma/Technics room at Capital Audiofest 2024, so Stereophile managing editor Mark Henninger and I sidled in, invited show attendees, and spun some discs. By the time Bill arrived we had a small party going.

Ofra Gershman brought her 30th anniversary Black Swan Speakers ($95,000/pair) to CAF, that feature the company’s patented “Separate Sub Alignment System,” which physically separates the tweeter and midrange from the woofer.