Ken Micallef

Technics Grand Class SL-1200/1210GR2 record player

In the early 1980s, I worked in a pop band playing AM radio hits, grooving behind my Yamaha drums and Zildjian cymbals as sweat drenched my body and my ears rang. We danced. We pranced. My shiny silk jumpsuit led upwards to a 2"-high afro, which women ran fingers through in hopes of finding contraband smokes ... Then overnight, everything changed.

At the beginning of the previous decade, Technics had released the SP-10, the first direct drive turntable. That was followed in short order by the SL-1100. Clive Campbell, aka Jamaican-American DJ Kool Herc, pioneered the simultaneous use of two Technics SL-1100s, initially at his sister's birthday party in the Bronx, inspiring "block parties" (rigging streetlamps for power) and hip-hop culture. Kool Herc isolated drumbeats from records by James Brown (with drummers Clyde Stubblefield and John "Jabo" Starks) and the Incredible Bongo Band (powered by master studio drummer Jim Gordon), among others, creating "breaks" for heated dance-floor partying. Soon, Lace Taylor (aka Afrika Bambaataa) and Grandmaster Flash (The Message) took Kool Herc's inventions into the mainstream, and hip-hop went global.

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UniQue Home Audio

The room of Tampa-area dealer, UniQue Home Audio was hosted by Michael Swek and offered unique gear and interesting sounds. Their products included the MoFi Ultradeck turntable ($2499) with an Ultragold MC cartridge ($1495) feeding a Coda 06X FET phono preamplifier ($6000). Digital audio was handled with a HiFi Rose RS-130 Network Transport ($5195).

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The Audio Note Room

When some folks think of Audio Note, they picture of low fog over English lakes, Earl Grey tea, The House of Commons, and Big Ben. Tubes for sure. Likely, Classical music. Well hold on to your remote control, 'cause this latest sighting of Audio Note, at the Florida Audio Expo, was more drum'n'bass than Dvorák, more techno wampum than Die Walkure.

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1215: The Axiss Room

As Stereophile managing editor Mark Henninger and I scurried up and down the Hilton halls, fulfilling our tasks as intrepid reporters, we had little time to compare notes. But we agreed on one room, Axiss Audio. In a room filled with exceptional gear, Axiss's Cliff Duffey and TJ Goldsby had set up a fantastic rig, well beyond the norm, which overachieved and set my ears afire. (Not literally.)

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