Herb Reichert

Herb Reichert  |  Oct 29, 2019
"The crying rain like a trumpet sang
And asked for no applause.
"—Bob Dylan, "Lay Down Your Weary Tune"

I remember as a toddler sitting in the kitchen on a highchair, watching my mother smoke a cigarette, apply red lipstick, and tune a turquoise table radio from one news station to another. Between the strange, nattering voices, the radio emitted a sharp hissing sound. That's my first memory of human voices coming from a little box.

Herb Reichert  |  Oct 16, 2019
In the realm of loudspeaker reviews, John Atkinson's measurements and my empirical observations have one important equivalency: Both are meaningless abstractions until confirmed by your listening experience.

Both are contingent on factors that are necessarily obtuse and not especially controllable.

Herb Reichert  |  Oct 11, 2019
Let's talk about management styles. If you want to run a successful small business, you must first be happy. If your personal goals are to learn and to discover, and you combine those with an intrinsic need to share your achievements and connect with people in your chosen field, you are likely to succeed. Given those qualities, if your business goal is to provide desirable goods and needed services, you will not fail.
Herb Reichert  |  Sep 26, 2019
Class-D audio amplifiers: What's the argument for them? Class-A audio amplifiers: What's the argument against them? Class-AB amplifiers: Why does everybody make them? Each of these amplifier output architectures has strengths and weaknesses. Each will interface more or less successfully with a given loudspeaker in a given room. Each has a distinctive sonic signature. Consequently, as knowledgeable audiophiles with a laundry list of system-building goals, we are required to choose the amplifier type that best suits our speakers, our room, and our individual musical-aesthetic predilections.
Herb Reichert  |  Aug 15, 2019
A dale is a broad valley. The Yorkshire Dales are broad, picturesque valleys in Northern England, mostly named for the rivers or streams that run through them. One of these is Wharfedale, which is the upper valley of the River Wharfe—and which was the original home of British firm Wharfedale Wireless Works, founded in 1932 by Gilbert Briggs.
Herb Reichert  |  Jul 30, 2019
We were playing some old, cherished black discs when my partner, bb (the 6'-tall Aries artist), declared, "With records you hear touch, and you are not alone." Long pause. "Just holding the cover brings back memories—that's their humanity."
Herb Reichert  |  Jul 18, 2019
A visitor to stereophile.com named billmilosz commented: "Compared to these, everything else sounded like it was coming out of a cereal box." When I read that, I laughed out loud.

That reader was responding to my AXPONA report about Magnepan's new $650/pair Little Ribbon Speaker (LRS)—which I presume he also heard at the show.

Herb Reichert  |  Jun 27, 2019
I am an artist-painter and an audiophile. When I listen to recorded music, I sit in the sweet spot and stare at the empty space between the speakers. And while I listen, I survey and critique the soundfield, as if it were an unfinished landscape painting in my studio.

As I observe the soundstage and the apparitions of musicians within, I notice the dimensions of the recording venue (and/or microphone placement), as well as the physical energy of the entire vibrating illusion.

Herb Reichert  |  May 23, 2019
I had never been alone with a Russian-manufactured 6C33C tube. At least not at night, in the dark. The first night Balanced Audio Technology's VK-56SE tubed amplifier was in my system, I sat on the floor studying the unusual shape and dark orange glow of its four 6C33C-B output tubes. I noticed their brightly lit, cathedral-like innards. My Russian neighbor told me they were used as regulator tubes in MiG jets during the Cold War. I could believe it—their exposed cathodes were the exact color of the Soviet flag. From more than a foot away, I could feel the heat from their high-amperage filaments.
Herb Reichert  |  May 23, 2019
Every time I review a digital-to-analog converter, my memory drifts to the spring of 1983, when the first Compact Discs arrived at Tower Records in New York City. They appeared in the opera section. Sitting next to big, thick boxed sets of opera LPs, these new discs looked truly compact. A few months later, boxed sets of popular opera LPs, in almost untouched condition, began selling in the Tower Annex for $1/disc.

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