Herb Reichert

TAD CE1TX loudspeaker

Herb Reichert May 18, 2023

The most money I've ever spent on a pair of loudspeakers was back in the early 1990s, when I bought a pair of used TAD TH-4001 wooden horns and their associated TD-4001 compression drivers. The TAD horn's smooth, micro-resolved response was a refinement upgrade from my multicell Altec horns; plus, the TADs' French-polished wood looked radically less industrial than the soldered-tin, tar-filled 1005/288C horns they replaced. None of my horn-fanatic friends had anything sonically or aesthetically comparable, and all of them were envious. I didn't keep the TADs long, because the friend who admired them most made me a very "friendly" offer.

That was my first experience with Japanese loudspeaker design, and it exposed me to a level of engineering precision and fine craftmanship I had not yet encountered in American-made speakers.

Gramophone Dreams Headphone Reviews

Gramophone Dreams #72: Abyss Diana & Focal Utopia headphones; Eleven Audio Broadway & Naim Uniti Atom HE amplifiers

Herb Reichert May 04, 2023

Since the 1980s, I've been asking every speaker designer I meet, "What amplifier do you recommend using with your speakers?" Annoyingly, they always say, "My speakers are easy to drive. Any amp will do." Whereupon I'd whine, "Aww, come on man, don't feed me that. What amp did you use when you were designing the speaker?" The closest any manufacturer came to providing a real answer was Wendell Diller of Magnepan, who, when I reviewed his .7 quasi-ribbon speaker, said, "We used an amp of our own design. It's not for sale. But any amp that doubles its power into 4 ohms will be fine." Wendell's answer helped me choose effective amplification and feel more confident about my conclusions.

Unlike loudspeaker manufacturers, headphone manufacturers know that which amp a reviewer uses could make or break a review of their product. So, wisely, they seem grateful when I ask for guidance.

Digital Processor Reviews

Mojo Mystique X SE D/A processor

Herb Reichert Apr 05, 2023

When I survey the realms of fancy-pants audio, the first thing I notice are cohorts of luxury-brand manufacturers selling pride of ownership with emblematic faceplates. After that, I spot another type of manufacturer, one that mocks the first type and aims its products at a younger, more working-class demographic, seducing potential customers with how much "truth" they are offering for only $15. But sometimes, when I look beyond the full-page ads and big rooms at audio shows, I discover a rogue manufacturer that is peddling a very specific type of listening experience, which they believe is the best. A listening experience only they could have created. I am grateful for manufacturers like this. They make my job more interesting, and I admire them for their courage in betting on their own taste in music reproduction.

I am relating these observations because this month I'm reviewing a digital converter from an off-the-paved-road audio manufacturer named Benjamin Zwickel. He operates a company called Mojo Audio, which is located in Albuquerque, New Mexico.

Gramophone Dreams Stand Loudspeaker Reviews

Gramophone Dreams #71: Heretic AD614 loudspeaker

Herb Reichert Mar 21, 2023

The hegemony of the skinny-box orthodoxy had me worrying about our collective music-listening futureuntil a day in September 2022 at Jason Tavares's elegantly appointed HiFi Loft in Hell's Kitchen, NYC, where, after auditioning Klipsch's new, spectacularly dynamic, precise-imaging Jubilee horns (which have front baffles 52" wide) and Harbeth's latest not-skinny-but-consummately-coherent SHL5plus XD, I auditioned these stout, unpainted, unveneered-plywood box speakers.

CanJam NYC 2023

NYC CanJam Report #3

Herb Reichert Mar 06, 2023

I mentioned in my CanJam NYC intro that CanJams offer more than just networking and headphone auditions. (You can read part 2 here.) They are also good places, I noted, to access the house sound of virtually every good DAC and amplifier that will fit on a tabletop.

CanJam NYC 2023

NYC CanJam Makes Sweet Sounds

Herb Reichert Feb 28, 2023

In Gramophone Dreams #51, I flat-out raved about Feliks-Audio's made-in-Poland "Arioso" integrated amplifier ($6999). This black, stealthy looking, single-ended 300B stereo speaker amp mated extremely well with my Falcon Gold Badges. During the months I worked on my review, I tormented engineer-designer Lukasz Feliks with at least 100 questions via email, but I didn't meet him in person. So what a joy it was to see the face behind all those emails—he's on the left in the photo above—and the smiling faces of his two partner-brothers, Piotr (center), and Michal (right). I like meeting the minds behind the gear I review.

CanJam NYC 2023 News

CanJam NYC 2023 Commences

Herb Reichert Feb 27, 2023

CanJams are about much more than skull-testing the newest headphones. They are the best places for all audiophiles to audition innovations in amplification, file servers, and digital converters and to jabber and bond with students, hipsters, gamers, and brainiacs from every part of the demographic spectrum. When the Jam is in New York, at the Marriott Marquis, it's like a being in a secret stadium lit neon-purple with white, vinyl-covered lounge chairs sheltered from the 100dB cauldron of Times Square tourism.

Gramophone Dreams Phono Cartridge Reviews Phono Preamp Reviews

Gramophone Dreams #70: Sutherland Engineering SUTZ & Lounge Audio Copla headamps, Dynavector DV-20X2 & XX-2 MKII phono cartridges

Herb Reichert Feb 23, 2023

As an upstart journalist-flâneur, my basic urge is to step on the gas and let my '54 Buick careen down the freeway, crashing into guardrails on both sides. Old Buicks were built for that, and I would love to take readers on one of those kinds of rides.

But when I write this monthly column, I find myself aiming for a different feel, more like driving cross-country in a '70s Ford station wagon, documenting motels and gas stations. A trip where it's fun to roll easy, take in the views, and stop at every car museum, snake farm, and stalactite cave.

This month, I'm going to put some miles on the Ford's odometer as I investigate the effects of Ron Sutherland's newest current-drive creation: a $3800 transimpedance moving coil headamp called the SUTZ. Along the way, I will also re-review Dynavector's $1250 DV-20X2 moving coil cartridge and examine what might be the sweetest spot in Dynavector's cartridge lineup: the $2150 XX-2 MKII.

Integrated Amp Reviews

Rotel RA-6000 integrated amplifier

Herb Reichert Feb 03, 2023

Before this month, I'd never experienced Rotel amplification in one of my own systems, but I have memories of how their amplifiers sounded back in the early 1990s. In those days, at audio shows, I would audition every Rotel amp I could find; I was especially interested in their $369, 60Wpc RB-960BX. I was curious about that model because it was the number-one competitor to the 60Wpc darling of the audiophile proletariat: Adcom's GFA 535 II. My friend Corey Greenberg compared these two popular amps in Stereophile and concluded, "The Rotel is for the budget-minded music lover who wants a good, solid little amplifier that's not going to make listening to music a trying experience."

Digital Processor Reviews Gramophone Dreams

Gramophone Dreams #69: Trance Dancing on Maxwell Street & the Rotel DT-6000 "DAC Transport"

Herb Reichert Jan 24, 2023

Everyone knows I'm a lucky guy. I was born in Chicago in nineteen-hundred and forty-nine, and as far as I can tell, that was the perfect year to be born. I missed the war, plague, and Depression horrors of the first half of the 20th century, and I witnessed the art, music, and cinema inventions of the second half.