Herb Reichert

EMIA Re-Visioned Quad ESL 57 Loudspeakers, Garrard 301 Turntable, Schroeder and Schick Tonearms, Made-from-Scratch EMIA Phono Cartridge, and Everything Else

Look at the photo. What you see is a re-imagining of the original Quad ESL 57s by Dave Slagle of EMIA (Experience Music Intact Audio). The only thing that remains from the original Quads are the PVC stator parts rebuilt to original standards by Wayne Picquet of Quads Unlimited in Longwood, Florida.
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MC Audiotech Forty-10 Loudspeakers, VPI HW-40 Turntable, Luminous Audio Arion Phono Preamp, Pass Labs XP22 preamp, Wolf Audio Alpha 3 Music Server, PS Audio DirectStream DAC, Parasound A23 Amplifier, Symposium Foundation Rack

Two friends whose taste and hearing I respect—and who visited every room at this show—told me they thought the $35K/pair MC Audiotech Forty-10 loudspeakers made the best sound at CAF. No question, these almost five-feet tall decorator-friendly midcentury-modern-looking beauties sounded even better they look, and they look very nice.
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Luminous Audio and the Pure Audio Project

I mentioned earlier how uncolored, detailed, transparent, and image-specific an open baffle loudspeaker can sound. Unfortunately, not all open baffle speakers are created equal, and making a coherent and musically satisfying open-baffle speaker is much more complex than just bolting a few drivers to a sheet of plywood. The question any loudspeaker designer must ask is, how far should I go? When is done right?
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