The system’s overall sound was clean, detailed, and transparent, while Cat Stevens’s voice was lovely, full of wonder and pain—just as it should be.
The system:
It was a packed room of bobbing heads and tapping toes, unable to resist the smooth, smooth flow. Here was a lively sound, a vibrant sound, a sweet, flowing, blooming, effortless sound, marked by so much body and heart and an absolutely wonderful sense of timing.
The system:
Because it’s been haunting me lately, satisfying me lately, because it’s found its way into my column and into my mind, because it’s beautiful, because it’s strange, and even at the risk of it becoming inextricably tied to thoughts of uncomfortable seats and smelly hotel rooms, I’ll be using Amon Tobin’s ISAM as a “reference disc” during the 2011 California Audio Show.
The 2011 California Audio Show, sponsored by Dagogo, is being held Friday through Sunday, July 15 through 17, at the Crowne Plaza Hotel, in Burlingame, CA, just minutes away from the San Francisco International Airport.
I arrived moments ago and have settled into my clean, quiet room. Actually, I should say I’ve settled into my fairly quiet room—I’m directly across from the Amarra suite and someone’s playing large-scale orchestral music in there. (It sounds pretty good, too!)
I’ll be blogging as fast as I can, so please check back often.
Made in Germany and imported by NYC’s newest audio salon, Audioarts (1 Astor Place), the beautiful Ampeggio uses a single proprietary 7" dual-cone driver with a large, convex surround, designed to accommodate a much greater excursion than the typical Lowther driver. The complex cabinet, designed and voiced in collaboration with Schimmel Pianos, incorporates a series of facet boards for optimal radiation resistance and houses a twice-folded horn, nearly 9-feet long from throat to mouth. The Ampeggio offered the usual Lowther traits of transient speed, spatial presence, dramatic ease, and physical impact, but added deep, well-controlled bass and excellent soundstaging. “A high-efficiency, single-driver loudspeaker for which no excuses need be made,” said AD. JA was impressed by the Voxativ’s superbly flat in-room response and genuine 98dB sensitivity.
What? Who said that? Excuse me, sorry, sorry: I’ve been writing “Recommended Components” blurbs for the upcoming October issue.
Never mind that. We’re talking about the August issue. It’s now on newsstands. This is important:
Recorded over the last four years in front man Adam Granduciel’s home studio in Philadelphia, Jeff Ziegler’s Uniform Recording, and Echo Mountain in Asheville, NC, the album is a drive to the ocean, windows down, head back, shades on. Acoustic and electric guitars, synthesizers, drums, and Granduciel’s voice, rambling and drifting and howling, together recalling heat waves, long days, Bruce Springsteen, Bryan Adams, Bob Dylan, Tom Petty and the Heartbreakers.
At pretty much the same time (just around noon on Wednesday), five lovely women sent me pretty much the same e-mail:
“Have you seen these?” they asked. “I want them,” they said.
I had not seen them, but they are beautiful. We can learn from this. There must be a lesson hidden here. But what? Girls like concrete? Girls like it raw and rough?
Let’s read from the press materials. Perhaps we’ll find some clues. The designer, 29-year old Shmuel Linski, says: