I didn't see any mountains, but I did get to see lots of smiling faces. I hope you're enjoying our coverage from the Rocky Mountain Audio fest because it's really kicking ass <a href="http://blog.stereophile.com/rmaf2008/">over here</a>.
More beautiful woodwork was found in the Daedalus Audio suite. The Ulysses ($10,950/pair; add $500 for matching plinths) is Daedalus Audio's top-of-the-line speaker. It uses a 1" Eton dome tweeter, two 5" custom-modified Fostex midrange units, and two 8" proprietary woofers, and has a rated sensitivity of 97dB.
Do you know about Oswald Mill Audio? Check out the website; it's fascinating.
The newest iteration of the Moscode hybrid power amp ($6495) retains the hefty aluminum faceplate which opens forward for easy access to the tubes.
Talk about <i>effortless</i>. Another room which I thought offered superb sound was occupied by Moscode, Von Schweikert, Esoteric, Placette, PS Audio, and Cardas. I think I heard the most beautiful music of all that reproduced at the Rocky Mountain Audio Fest in this very room. I don't even know what was playing, but what this system excelled at was communicating the all-important space between the notes.
The more I hear Vandersteen Audio's loudspeakers, the more I find myself admiring their relaxed, controlled, natural sound. Richard Vandersteen, the fighter pilot featured in a recent banner ad on this website, was happy to present his Quattro Signature Mk.2 ($11,700/pair). It utilizes a 6.5" mid-bass driver derived from the Vandersteen Model 5A and sounded exquisite driven by Ayre amplification.
In my opinion, few rooms at the Rocky Mountain Audio Fest could compete with the sound produced in the Ayre Acoustics/Vandersteen Audio suite. To me, the music created by this combination just sounded <i>right</i>. It was effortless, involving, and realistic without being overly etched or bright.
Putting together a loudspeaker kit may be an art of an older generation. I had model airplanes and cars, but I often hear older audiophiles talk about the first loudspeaker they ever built. It always kind of freaks me out.
Hiram Toro explained that he took the reigns of Koetsu USA when his close friend and Koetsu importer Ronnie Caplan unexpectedly passed away. Before Ronnie succumbed to complications following a heart attack, Hiram had promised his friend that he would take care of everything, fully expecting that Ronnie would recover from his illnesses. Hiram kept his promise and has maintained the Koetsu presence in the US market for the past two years. When he decided that that wasn't enough fun, he added Chario loudspeakers and Montegiro turntables to the roster.
One of the most obvious solutions to the problem of attracting a younger audience to high end hi-fi is <i>mentoring</i>. It is undoubtedly clear that younger generations of music lovers can distinguish between poor and good quality sound. They can, after all, hear a wider range of frequencies than older folks. And they do, after all, love music. So, what is the problem?